Surrey Archaeological Collections

Surrey Archaeological Society, 2003. (updated 2023) https://doi.org/10.5284/1000221. How to cite using this DOI

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https://doi.org/10.5284/1000221
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Surrey Archaeological Society (2023) Surrey Archaeological Collections [data-set]. York: Archaeology Data Service [distributor] https://doi.org/10.5284/1000221

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Digital Object Identifiers

Digital Object Identifiers (DOIs) are persistent identifiers which can be used to consistently and accurately reference digital objects and/or content. The DOIs provide a way for the ADS resources to be cited in a similar fashion to traditional scholarly materials. More information on DOIs at the ADS can be found on our help page.

Citing this DOI

The updated Crossref DOI Display guidelines recommend that DOIs should be displayed in the following format:

https://doi.org/10.5284/1000221
Sample Citation for this DOI

Surrey Archaeological Society (2023) Surrey Archaeological Collections [data-set]. York: Archaeology Data Service [distributor] https://doi.org/10.5284/1000221

The Mural Painting in the church of Saints Peter and Paul, Chaldon, Surrey

K F N FLYNN

In 1871 J Waller published an article in the Surrey Archaeological Collections recording the discovery of a mural in Chaldon parish church; he also provided the first of several interpretations of style and iconography, most of which similarly appeared in the Collections. These are valuable records of a now somewhat fragile work, and offer likely and sometimes ingenious explanations of the subject-matter, as well as suggesting stylistic sources. Since Tristram’s distillation of these works in 1944, and his own discussion of the painting, only one further paper of note has appeared, concentrating on a single aspect of the mural. This present paper will therefore examine some of the alternatives to the earlier interpretations and try to establish the evolution of elements, in particular the Harrowing, which may more firmly fix this painting in its native tradition.

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