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Skillful stones:
Title
The title of the publication or report
Title:
Skillful stones:
Subtitle
The sub title of the publication or report
Subtitle:
approaches to knowledge and practice in lithic technology
Series
The series the publication or report is included in
Series:
Journal of Archaeological Method and Theory
Volume
Volume number and part
Volume:
15 (1)
Publication Type
The type of publication - report, monograph, journal article or chapter from a book
Publication Type:
Journal
Editor
The editor of the publication or report
Editor:
Catherine M Cameron
James M Skibo
Issue Editor
The editor of the volume or issue
Issue Editor:
Nyree Finlay
Douglas B Bamforth
Publisher
The publisher of the publication or report
Publisher:
Springer
Year of Publication
The year the book, article or report was published
Year of Publication:
2008
Note
Extra information on the publication or report.
Note:
Is Portmanteau: 1
Source
Where the record has come from or which dataset it was orginally included in.
Source:
BIAB (The British & Irish Archaeological Bibliography (BIAB))
Relations
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Relations:
URI:
http://springerlink.metapress.com/content/1573-7764/
Created Date
The date the record of the pubication was first entered
Created Date:
27 Aug 2008
Please click on an Article link to go to the Article Details.
Article Title
Access Type
Author / Editor
Page
Start/End
Abstract
Skillful stones: approaches to knowledge and practice in lithic tec...
0
Special issue; contributions include
Introduction: archaeological approaches to lithic production ski...
Douglas B Bamforth
Nyree Finlay
1 - 27
the paper introduces the volume by considering what skill is and how archaeologists have looked at issues of skill in stone tool production, along with anthropological and archaeological approaches to the ways in which individuals become skilled craftworkers. It is argued that archaeological studies of flintknapping skill tend to be isolated from most larger debates, but both the archaeological and the nonarchaeological literature highlight how intimately skill and craft learning are woven into the fabric of society, although they also highlight significant methodological and interpretive issues
Does practice make perfect?; Craft expertise as a factor in aggrandizer strateg...
Deborah J Olausson
28 - 50
the focus of the article is on exploring craft expertise and its potential as a factor in aggrandizer strategies. It is argued that there are elements of natural aptitude which enabled certain individuals to excel at flintknapping, allowing them to create objects of exceptional size and beauty in acts of elaborate knapping. Practice alone will enable an individual to reach a certain level of proficiency, but only practice in combination with ability can result in world-class performance. If, as is argued, native ability in some domain is a rare commodity, then harnessing it and developing it through practice would provide an opportunity for a potential aggrandizer to control prestige goods and accrue social capital. In situations where raw material, knowledge, and know-how are ubiquitous, as may have been true for flint technology in southern Scandinavia during the Late Neolithic, this might be one of few means available for a would-be aggrandizer to control prestigious goods
The when, where, and how of novices in craft production
Jeffrey R Ferguson
51 - 67
the author claims that archaeologists frequently underestimate the importance of children as well as craft skill acquisition in the formation of archaeological assemblages. Perhaps even more often they conflate the terms `novice' and `child' in ways that oversimplify the factors that are involved in incorporating new producers into craft production. In particular, the skill acquisition involved in stone tool production is influenced by a variety of factors, including danger, raw material value, raw material availability, and raw material recyclability, as well as a variety of social factors. The paper examines the influence of each of these factors and also suggests patterns useful in recognizing and distinguishing between novices and children in the archaeological record
Blank concerns: issues of skill and consistency in the replication...
Nyree Finlay
68 - 90
it is argued that skill is central to the identification of the individual within lithic analysis. Modern replication tends to focus on the proficient flintknapper, and emphasises complex, technically demanding implements and high quality raw materials. Yet, acquiring lithic skill is a universal process that manifests itself in various ways depending on technological strategy and raw material. The paper presents the results of a programme of experimental replication that explores notions of consistency and identity. Based on Mesolithic blade technology, using direct percussion reduction and variable pebble resources, it compares knappers with different experience and identifies some salient parameters of individual performance
Playing with flint: tracing a child's imitation of adult work in a lit...
Anders Högberg
112 - 131
the paper examines the potential for identifying play and children's imitation in the archaeological record and reviews cultural constructions of play and cross-cultural behaviour. A case study, using a lithic assemblage from a discrete knapping area for Scandinavian Neolithic axe production in southern Sweden which identifies a child's activity area, is discussed. The theoretical and methodological assumptions behind play, imitation and its identification as well as its social implications are also examined
Skill matters
Peter Bleed
154 - 166
the author argues that skill is a challenging topic for archeologists because it requires balancing the biases of cultural relativity with the commonsense understanding that some humans are more able than others. Using the content and results model of technology, the paper identifies skill as a variable of technological knowledge with recognizable material results. Late Paleolithic Japanese blade and microblade assemblages suggest that skill differentials exist on the cognitive, operational, and motor levels. These examples, together with ethnoarcheological consideration of modern potters suggest material reflections of technical skill. These include regularity in performance and product, skilled tools, and obvious signs of practice