Digital Archive from the Analysing Britain's Most Elusive Roman Sculptures Project

Ian Haynes, Lindsay Allason-Jones, Alex Turner, 2023. https://doi.org/10.5284/1090382. How to cite using this DOI

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Ian Haynes, Lindsay Allason-Jones, Alex Turner (2023) Digital Archive from the Analysing Britain's Most Elusive Roman Sculptures Project [data-set]. York: Archaeology Data Service [distributor] https://doi.org/10.5284/1090382

Data copyright © Elusive Sculptures Project unless otherwise stated

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Primary contact

Ian Haynes
Professor of Archaeology
Newcastle University
School of History, Classics and Archaeology
Newcastle upon Tyne
NE1 7RU
UK

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Resource identifiers

Digital Object Identifiers

Digital Object Identifiers (DOIs) are persistent identifiers which can be used to consistently and accurately reference digital objects and/or content. The DOIs provide a way for the ADS resources to be cited in a similar fashion to traditional scholarly materials. More information on DOIs at the ADS can be found on our help page.

Citing this DOI

The updated Crossref DOI Display guidelines recommend that DOIs should be displayed in the following format:

https://doi.org/10.5284/1090382
Sample Citation for this DOI

Ian Haynes, Lindsay Allason-Jones, Alex Turner (2023) Digital Archive from the Analysing Britain's Most Elusive Roman Sculptures Project [data-set]. York: Archaeology Data Service [distributor] https://doi.org/10.5284/1090382

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Introduction

Reiter tombstone of Insus son of Vodallus, Lancaster (ES30).
Reiter tombstone of Insus son of Vodallus, Lancaster (ES30).

This collection comprises 3D models, images, and scan data from the British Academy/Leverhulme Trust funded-project 'Analysing Britain's most elusive Roman sculptures' which examined sculpture from the hinterland of Hadrian’s Wall.

Over five hundred sculpted stones have been identified in this region. Of these, 65 constitute Britain's most elusive examples of sculpted stone from the Roman period; their location and/or condition has previously prevented detailed scholarly examination. Many of these pieces are held in private houses or built into farm buildings or church walls where they cannot easily be seen. Others are displayed or stored in museums in a manner which prevents detailed scholarly examination. Most are hard to access or are in places where low light conditions inhibit appropriate analysis.

The study and documentation of these sculptures marks the last task remaining for the completion of the final scheduled British volume of the Corpus Signorum Imperii Romani (CSIR) series of comprehensive surveys of Roman sculpture. The results of this project have been incorporated into Corpus Signorum Imperii Romani: Great Britain. Vol. I, Fasc. 11. The Hinterland of Hadrian's Wall and Derbyshire. Successful completion of this task marks the completion of a research programme for Britain first launched over half a century ago and means that Britain is the first province of the Roman Empire to have achieved comprehensive coverage of all its regions.

To undertake and enable further research on the most elusive examples, project members undertook a programme of Structure from Motion photography and structured light scanning. This approach allows for higher resolution models and can offer advantages over conventional photography.


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