Archaeology at Glastonbury Abbey on-line

Trustees of Glastonbury Abbey, 2007. (updated 2010) https://doi.org/10.5284/1000292. How to cite using this DOI

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Citing this DOI

The updated Crossref DOI Display guidelines recommend that DOIs should be displayed in the following format:

https://doi.org/10.5284/1000292
Sample Citation for this DOI

Trustees of Glastonbury Abbey (2010) Archaeology at Glastonbury Abbey on-line [data-set]. York: Archaeology Data Service [distributor] https://doi.org/10.5284/1000292

Data copyright © Trustees of Glastonbury Abbey, Individual Authors unless otherwise stated

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Primary contact

Dr John Allan
Exeter Archaeology
The Custom House
The Quay
Exeter
EX2 4AN
England

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Resource identifiers

Digital Object Identifiers

Digital Object Identifiers (DOIs) are persistent identifiers which can be used to consistently and accurately reference digital objects and/or content. The DOIs provide a way for the ADS resources to be cited in a similar fashion to traditional scholarly materials. More information on DOIs at the ADS can be found on our help page.

Citing this DOI

The updated Crossref DOI Display guidelines recommend that DOIs should be displayed in the following format:

https://doi.org/10.5284/1000292
Sample Citation for this DOI

Trustees of Glastonbury Abbey (2010) Archaeology at Glastonbury Abbey on-line [data-set]. York: Archaeology Data Service [distributor] https://doi.org/10.5284/1000292

Introduction

During the last 20 years a number of archaeological projects have been carried out within the precinct of Glastonbury Abbey. Some have entailed small-scale excavation - for example those tackling drainage problems - but more commonly studies have arisen from the programme of conserving the monument's upstanding masonry. The careful examination of the fabric and the preparation of detailed records of its form and structural history are necessary processes in carrying out such work; the records compiled form important tools in the ongoing care of the monument. Some remarkable discoveries have emerged from this work, including the recovery of the fragmentary remains of a spectacular painted scheme within the Lady Chapel, and the recognition of evidence which allows new interpretation of the building programme of the great church. The series of reports is designed to give access to this new information.

Five sections in this series are currently available here:


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