CatNo40
One fragment of translucent mid-blue pot metal, with iridescent corrosion product. One long and one short edge grozed. Slightly beveled from heat distortion. The paint is extremely faint and the design is only discernible in one corner of the fragment. This is a design of extremely small circles scratched at the apeces of a trellis of stickwork lozenges, picked from a wash of paint.
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CatNo40 One fragment of translucent mid-blue pot metal, with iridescent corrosion product. One long and one short edge grozed. Slightly beveled from heat distortion. The paint is extremely faint and the design is only discernible in one corner of the fragment. This is a design of extremely small circles scratched at the apeces of a trellis of stickwork lozenges, picked from a wash of paint. |
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CatNo40
One fragment of translucent mid-blue pot metal, with iridescent corrosion product. One long and one short edge grozed. Slightly beveled from heat distortion. The paint is extremely faint and the design is only discernible in one corner of the fragment. This is a design of extremely small circles scratched at the apeces of a trellis of stickwork lozenges, picked from a wash of paint.
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396 Kb
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CatNo41
One fragment of translucent mid-blue pot metal, slightly
beveled and possibly due to heat distortion. Two curved, grozed edges tapering to a point, now broken. Painted with consistent cross-hatching, from which small crosses have been picked at the intersections, creating a repeated pattern of lozenges and circles in reserve.
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CatNo41 One fragment of translucent mid-blue pot metal, slightly
beveled and possibly due to heat distortion. Two curved, grozed edges tapering to a point, now broken. Painted with consistent cross-hatching, from which small crosses have been picked at the intersections, creating a repeated pattern of lozenges and circles in reserve. |
JPG
CatNo41
One fragment of translucent mid-blue pot metal, slightly
beveled and possibly due to heat distortion. Two curved, grozed edges tapering to a point, now broken. Painted with consistent cross-hatching, from which small crosses have been picked at the intersections, creating a repeated pattern of lozenges and circles in reserve.
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551 Kb
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CatNo44
One fragment of translucent mid-blue pot metal, painted
with an alternating design of circles and squares picked out of a wash.
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CatNo44 One fragment of translucent mid-blue pot metal, painted
with an alternating design of circles and squares picked out of a wash. |
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CatNo44
One fragment of translucent mid-blue pot metal, painted
with an alternating design of circles and squares picked out of a wash.
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604 Kb
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CatNo59
One fragment of translucent mid-blue pot metal with
iridescent corrosion product and pitting on both surfaces. Slightly beveled, probably due to heat distortion. Grozed to a narrow border, with an obtuse angle, and apparently grozed at each short end too, although these could be regrozings. Painted with fine lines defining a blank border area, and a cross line at the apex of the obtuse angle.
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CatNo59 One fragment of translucent mid-blue pot metal with
iridescent corrosion product and pitting on both surfaces. Slightly beveled, probably due to heat distortion. Grozed to a narrow border, with an obtuse angle, and apparently grozed at each short end too, although these could be regrozings. Painted with fine lines defining a blank border area, and a cross line at the apex of the obtuse angle. |
JPG
CatNo59
One fragment of translucent mid-blue pot metal with
iridescent corrosion product and pitting on both surfaces. Slightly beveled, probably due to heat distortion. Grozed to a narrow border, with an obtuse angle, and apparently grozed at each short end too, although these could be regrozings. Painted with fine lines defining a blank border area, and a cross line at the apex of the obtuse angle.
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364 Kb
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CatNo61
One fragment of translucent mid-blue pot metal with
iridescent corrosion product, grozed, extremely carefully, to a curve. Some paintwork, just discernible, appears to be a series of semi-circles, possibly an overlapping scale pattern that was common in large-scale windows and sculpture, as well as manuscript illumination, e.g. roof tiles in the Winchester Psalter.
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CatNo61 One fragment of translucent mid-blue pot metal with
iridescent corrosion product, grozed, extremely carefully, to a curve. Some paintwork, just discernible, appears to be a series of semi-circles, possibly an overlapping scale pattern that was common in large-scale windows and sculpture, as well as manuscript illumination, e.g. roof tiles in the Winchester Psalter. |
JPG
CatNo61
One fragment of translucent mid-blue pot metal with
iridescent corrosion product, grozed, extremely carefully, to a curve. Some paintwork, just discernible, appears to be a series of semi-circles, possibly an overlapping scale pattern that was common in large-scale windows and sculpture, as well as manuscript illumination, e.g. roof tiles in the Winchester Psalter.
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357 Kb
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CatNo112
One fragment of semi-translucent white glass,
transparent where the surface has chipped. One possible grozed edge that cuts across the design, and so possibly a regrozing. All other edges broken. Painted with a wash of paint from which a design of scallop edged figures (probably originally square or lozenge-shaped) has been
scratched, decorated with tiny scratched circles within each shape. A diaper or repeated pattern, possibly a textile design. Probably late medieval, 14th- or 15th-century.
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CatNo112 One fragment of semi-translucent white glass,
transparent where the surface has chipped. One possible grozed edge that cuts across the design, and so possibly a regrozing. All other edges broken. Painted with a wash of paint from which a design of scallop edged figures (probably originally square or lozenge-shaped) has been
scratched, decorated with tiny scratched circles within each shape. A diaper or repeated pattern, possibly a textile design. Probably late medieval, 14th- or 15th-century. |
JPG
CatNo112
One fragment of semi-translucent white glass,
transparent where the surface has chipped. One possible grozed edge that cuts across the design, and so possibly a regrozing. All other edges broken. Painted with a wash of paint from which a design of scallop edged figures (probably originally square or lozenge-shaped) has been
scratched, decorated with tiny scratched circles within each shape. A diaper or repeated pattern, possibly a textile design. Probably late medieval, 14th- or 15th-century.
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361 Kb
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CatNo138
One fragment of now completely opaque glass, all edges
broken. Painted with the partial forelegs, hind legs, torso, tail and very small portion of head of a heraldic lion, probably passant gardant, in reserve from plain ground. No obvious yellow stain on outer surface. The legs and tail have hair depicted as part of the entire outline rather than
additional detail. One thin scratched whisker is visible beside the head
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CatNo138 One fragment of now completely opaque glass, all edges
broken. Painted with the partial forelegs, hind legs, torso, tail and very small portion of head of a heraldic lion, probably passant gardant, in reserve from plain ground. No obvious yellow stain on outer surface. The legs and tail have hair depicted as part of the entire outline rather than
additional detail. One thin scratched whisker is visible beside the head |
JPG
CatNo138
One fragment of now completely opaque glass, all edges
broken. Painted with the partial forelegs, hind legs, torso, tail and very small portion of head of a heraldic lion, probably passant gardant, in reserve from plain ground. No obvious yellow stain on outer surface. The legs and tail have hair depicted as part of the entire outline rather than
additional detail. One thin scratched whisker is visible beside the head
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503 Kb
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CatNo148
One fragment of translucent, transparent white glass, of
fairly consistent metal, with two large elliptical air bubbles or seeds, and very glossy external face. One curved edge possibly cut, but all other edges broken. Painted with a combination of fine stipple and smear shading, using stickwork to highlight the moulding. A human eye and
brow are discernible as a combination of outline and scratched highlights, as is part of the ear. The hair is largely shaded, highlighted, and coloured in yellow stain on the outer face. If the curved edge is a genuine cut, it may have been made to accommodate a halo in a separate piece of glass. 15th-/early 16th-century.
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CatNo148 One fragment of translucent, transparent white glass, of
fairly consistent metal, with two large elliptical air bubbles or seeds, and very glossy external face. One curved edge possibly cut, but all other edges broken. Painted with a combination of fine stipple and smear shading, using stickwork to highlight the moulding. A human eye and
brow are discernible as a combination of outline and scratched highlights, as is part of the ear. The hair is largely shaded, highlighted, and coloured in yellow stain on the outer face. If the curved edge is a genuine cut, it may have been made to accommodate a halo in a separate piece of glass. 15th-/early 16th-century. |
JPG
CatNo148
One fragment of translucent, transparent white glass, of
fairly consistent metal, with two large elliptical air bubbles or seeds, and very glossy external face. One curved edge possibly cut, but all other edges broken. Painted with a combination of fine stipple and smear shading, using stickwork to highlight the moulding. A human eye and
brow are discernible as a combination of outline and scratched highlights, as is part of the ear. The hair is largely shaded, highlighted, and coloured in yellow stain on the outer face. If the curved edge is a genuine cut, it may have been made to accommodate a halo in a separate piece of glass. 15th-/early 16th-century.
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759 Kb
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CatNo150
One fragment of almost completely opaque white glass,
extremely chipped and laminated on the outer face, with some gold iridescent corrosion product. Remains of a small-scale zig-zag grozed edge which reflects the painted design. Painted with detailed combined stickwork and outline design of circles formed into trilobed figures, framed by lines of differing width to either side, and with a zig-zag band of miniature beading, with large beads interspersed with two smaller beads picked from a line of paint, as if the hem to a garment. Possible textile or drapery from a figure?
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CatNo150 One fragment of almost completely opaque white glass,
extremely chipped and laminated on the outer face, with some gold iridescent corrosion product. Remains of a small-scale zig-zag grozed edge which reflects the painted design. Painted with detailed combined stickwork and outline design of circles formed into trilobed figures, framed by lines of differing width to either side, and with a zig-zag band of miniature beading, with large beads interspersed with two smaller beads picked from a line of paint, as if the hem to a garment. Possible textile or drapery from a figure? |
JPG
CatNo150
One fragment of almost completely opaque white glass,
extremely chipped and laminated on the outer face, with some gold iridescent corrosion product. Remains of a small-scale zig-zag grozed edge which reflects the painted design. Painted with detailed combined stickwork and outline design of circles formed into trilobed figures, framed by lines of differing width to either side, and with a zig-zag band of miniature beading, with large beads interspersed with two smaller beads picked from a line of paint, as if the hem to a garment. Possible textile or drapery from a figure?
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539 Kb
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CatNo159
One fragment of semi-translucent deep blue pot metal,
both surfaces glossy. Two grozed edges, one of which has an apparently cut edge at right angles to it. The second grozed edge is at an angle and may have cut across the original painted design, suggesting a regrozing. The paint survives as a very faint wash, and combines a geometric shape with an apparently foliate design, from which a pattern of highlights has been picked in stickwork.
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CatNo159 One fragment of semi-translucent deep blue pot metal,
both surfaces glossy. Two grozed edges, one of which has an apparently cut edge at right angles to it. The second grozed edge is at an angle and may have cut across the original painted design, suggesting a regrozing. The paint survives as a very faint wash, and combines a geometric shape with an apparently foliate design, from which a pattern of highlights has been picked in stickwork. |
JPG
CatNo159
One fragment of semi-translucent deep blue pot metal,
both surfaces glossy. Two grozed edges, one of which has an apparently cut edge at right angles to it. The second grozed edge is at an angle and may have cut across the original painted design, suggesting a regrozing. The paint survives as a very faint wash, and combines a geometric shape with an apparently foliate design, from which a pattern of highlights has been picked in stickwork.
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413 Kb
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Range_of_Blue_2
A range of blue glass fragments
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Range_of_Blue_2 A range of blue glass fragments |
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Range_of_Blue_2
A range of blue glass fragments
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1.11 Mb
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Range_of_Green
A range of green glass fragments
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Range_of_Green A range of green glass fragments |
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Range_of_Green
A range of green glass fragments
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1006 Kb
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