Sussex Archaeological Collections: Relating to the history and antiquities of the counties of East and West Sussex

Sussex Archaeological Society, 2000. (updated 2022) https://doi.org/10.5284/1000334. How to cite using this DOI

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https://doi.org/10.5284/1000334
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Sussex Archaeological Society (2022) Sussex Archaeological Collections: Relating to the history and antiquities of the counties of East and West Sussex [data-set]. York: Archaeology Data Service [distributor] https://doi.org/10.5284/1000334

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Digital Object Identifiers

Digital Object Identifiers (DOIs) are persistent identifiers which can be used to consistently and accurately reference digital objects and/or content. The DOIs provide a way for the ADS resources to be cited in a similar fashion to traditional scholarly materials. More information on DOIs at the ADS can be found on our help page.

Citing this DOI

The updated Crossref DOI Display guidelines recommend that DOIs should be displayed in the following format:

https://doi.org/10.5284/1000334
Sample Citation for this DOI

Sussex Archaeological Society (2022) Sussex Archaeological Collections: Relating to the history and antiquities of the counties of East and West Sussex [data-set]. York: Archaeology Data Service [distributor] https://doi.org/10.5284/1000334


The Georgian provincial builder-architect and architect: Amon and Amon Henry Wilds of Lewes and Brighton, c. 1790-1850.

by SUE BERRY

Provincial builders and architects designed the majority of urban buildings during the eighteenth and first half of the nineteenth centuries and therefore deserve study. Some, such as James Essex (1722-84), Owen Browne Carter (1806-1859), the Bastard family of Blandford and the Smiths of Warwick, had substantial influence within an area.1 From the later eighteenth century, provincial builder-architects and architects faced increasing competition from men trained in architectural practices in London who were particularly interested in the larger, more prestigious schemes. The Wilds moved from Lewes to Brighton when the resort was expanding rapidly; it was already far ahead of other resorts in scale and social status. Its growth attracted Charles Barry and other well-connected London architects, who were competing against each other as well as against provincial practitioners. Seen in this competitive context, self-taught provincial architects such as the Wilds were remarkably successful.

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