As many readers will be aware the a new OASIS system (OASIS V) is now in place. In preparation for this we have taken the decision to remove the OASIS Images function from the current OASIS IV system from the 1st of April 2021.
What! Will this make depositing more expensive I hear you say?
The simple answer is no! In fact we will be reducing our standard ADS-easy set up fee from £200.00 to £150.00 for all ADS-easy deposited archives so archiving will generally become cheaper.
For all archives submitted via ADS-easy from the 1st of April 2021 a set fee of £150.00 (exclusive of VAT) will apply. As as part of this set fee depositors will be able to deposit up to 150 jpg/tiff images at no extra cost. Additional files will then be charged on a per file basis according to our current per file charges.
How will I deposit my photos from 1st of April 2021?
From the 1st of April 2021 depositors just need to log into the ADS-easy system without having to follow the more complex OASIS Image login process from OASIS IV. OASIS IV will include a notification to let users know about the change.
Journey into the archive with our new online gallery.
The Wonders of the ADS, is a digital exhibition dedicated to highlighting the outstanding digital data held in the ADS archive.
The Wonders of the ADS digital exhibition developed out of a collaborative project with Carlotta Cammelli, a Leeds University MA Art Gallery and Museum Studies student as part of her Masters dissertation. The project entitled Unearthing the Archive: Exploring new methods for disseminating archaeological digital data aimed to develop an innovative online approach to present specific digital objects (such as photographs, drawings, documents, videos and 3D data files) from the ADS collections in order to increase public engagement with the data in our archive.
Traditionally the ADS is used by researchers with specific interests in mind. The structure of the ADS into individual archives also means that sometimes interesting material can be buried within the vast quantity of data held by the ADS. Continue reading Wonders of the ADS:→
The ADS are pleased to announce that the ADS Library will be moving out of its Beta phase and go Live on Tuesday 16th January. Concurrently with this the ADS will also be launching a newly designed website. The main aim of the new website design is to make it easier for our users to access our searchable resources. With the launch of the ADS Library the ADS now provides three main heritage environment search tools:
Each of these tools should be used to search for different types of information held by the ADS. Archsearch is for searching metadata records about monuments and historic environment events in the UK. The ADS Archives is the place to search for historic environment research data (such as images, plans, databases) and contains international and UK data. The ADS Library is a bibliographic tool for searching for written records on the historic environment of Britain and Ireland. Where possible, the record will provide a direct link to the original publication or report. Continue reading New Look Website→
On 30th November 2017 the first ever International Digital Preservation Day will draw together individuals and institutions from across the world to celebrate the collections preserved, the access maintained and the understanding fostered by preserving digital materials.
The aim of the day is to create greater awareness of digital preservation that will translate into a wider understanding which permeates all aspects of society – business, policy making and personal good practice.
To celebrate International Digital Preservation Day ADS staff members will be tweeting about what they are doing, as they do it, for one hour each before passing on to the next staff member. Each staff member will be focusing on a different aspect of our digital preservation work to give as wide an insight into our work as possible. So tune in live with the hashtags #ADSLive and #idpd17 on Twitter or follow our Facebook page for hourly updates. Here is a sneak preview of what to expect and when:
The ADS, Historic England and the Council for British Archaeology are pleased to announce the beta release of ADS Library.
Weaving a web of references.
The ADS Library is the fusion of existing datasets. These include journal and series backruns archived with the ADS, the Library of unpublished fieldwork reports (aka the Grey literature library) which is mostly populated with reports from OASIS and last but not least the British and Irish Archaeological Bibliography (BIAB) which is in itself a collection of different datasets which have been collected over the last hundred years.
The project to get these references online as a single resource has involved cleaning, mapping and enhancing the data from the different datasets. Allowing them to share the same data structure and hopefully give users as consistent information about each item listed in the library. Some records simply show the existence of a report or publication and others link out to the publication itself where available. There was some overlap in the combined datasets and we have endeavoured to merge records where appropriate in order to limit the existence of duplicates in the lists of results. Continue reading ADS Library: BETA version now online!→
The annual EAA Conference will be held this year in Maastricht, the Netherlands from 30 August to 3 September. The ArchAIDE project would like to invite papers related to the topic of automation in artefact recognition. Papers are encouraged which not only highlight technical possibilities, but also challenges facing artefact recognition by archaeologists working across Europe. Session details are available below:
Session 166: Automation in artefact recognition: perspectives and challenges in archaeological practice
Given that artefacts are of fundamental importance for the dating and interpretation of archaeological contexts, the automatic recognition of artefact types has been one of the ‘golden chestnuts’ of archaeological computing, dominating computer application papers of the 1970s and 1980s, but development of a practical working system has not been successful. Nonetheless, software and image recognition technology has moved on, and projects like ArchAIDE, DADAISM and GRAVITATE are working towards the (semi-) automatic recognition of artefacts (pottery, metalwork, stone tools, plastic arts, etc.) and the (partial) automation of archaeological workflows.
Artefact recognition is a time consuming activity, and spending time (and money) in repetitive work is not optimal, but automation can help in supporting interpretation with innovative computer-based tools. Artefact recognition calls for complex, specialist skills which are not always available. Automation can facilitate specialist interpretation for generalists, increasing the number of researchers able to devote more time to data analysis, and consequently to greater comprehension and new knowledge in areas such as trade and exchange, supply and production, religious or social affiliation, and so on.
Based on this assumption, we call for papers to foster both theoretical discussion as well as practical solutions, focused on how automatic artefact recognition could:
• meet real user needs, and generate economic benefits;
• produce new interpretations;
• revolutionise archaeologists’ habits, behaviours and expectations;
• create societal benefits from cultural heritage, improving access, re-use and exploitation of digital cultural heritage in a sustainable way.
It’s long been known that the conservation and built heritage sector have not really engaged with OASIS, the ADS and digital archiving in general. We wanted to investigate why and what could be done about this.
The project aimed to:
Establish a state of the sub-sector snapshot of digital archiving practice/awareness
Survey practitioners we have not traditionally engaged with – IHBC, RTPI etc. facilities managers, local authority staff, etc.
Conduct outreach in terms of event attendance, video, leaflet and training workshop.
To mark our shared 20th anniversary year, Internet Archaeology and the Archaeology Data Service have combined forces to launch the Open Access Archaeology Fund, with the specific aim of supporting the journal publishing and archiving costs of researchers who have no means of institutional support. We are asking you to support our efforts by pledging a recurring or single gift.
We are grateful for all gifts and to say thank you, everyone who donates over £25 will receive a token of our appreciation – one of our highly desirable red USB trowels. A limited number of special edition orange and purple trowels are also available for those who make donations of between £50-£74.99 (orange) and £75 and over (purple).
Fund allocation will be prioritised to those without means of institutional support, namely early career researchers and independent scholars. As the Fund develops, we will publish the total raised and a list of the articles and archives assisted by your generosity.
Thank you for your support, by giving to the Open Access Archaeology Fund you help to reduce the barriers to open archaeological research and advance knowledge of our shared human past. Donate Today – Every Gift Helps
Responding to concern that there may be gaps in the recording of investigations and sustainable archiving of digital data and reports on standing buildings, the ADS has embarked on a five-month project funded by an External Engagement Award from the University of York to research current practice and user needs of conservation architects, surveyors, engineers and their specialist teams. Continue reading Built Legacy: Preserving Historic Buildings Data→
ADS and Internet Archaeology are teaming up again this year to provide you with the opportunity to win one of our much sought after trowel-shaped usb sticks!
To be in with a chance to win, just find one or more Christmas baubles hidden on the ADS or Internet Archaeology websites and tell us the location (web address) by emailing email@example.com or by private messaging @ADS_Update or @IntarchEditor on Twitter.
Every correct entry received will be entered into a prize draw to be held on Monday 4th January 2016. There are 6 different baubles to find so each individual can enter the draw a maximum number of 6 times. (i.e. you can’t submit more than one entry per bauble location).
The competition is now closed.
Happy bauble hunting!
We are now please to be able to announce the winner of our Christmas competition was Rachael Nicholson! Congratulations Rachael, your new usb stick is in the post.