Image Ref No,Description,Digital ? Archival Master,Copyright,Publications
4.42,The paint scheme found on the east side of the easternmost joist (joist 1) in the roof space bay - location,4.42_location.jpg,The Perry Lithgow Partnership,Part of Fig 112 in 'Conservation and Discovery'
4.43,Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - micrograph,4.43_16-1999_micrograph.jpg,The Perry Lithgow Partnership,Part of Fig 105 in 'Conservation and Discovery'
4.44,Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - location,4.44_location.jpg,The Perry Lithgow Partnership,Part of Fig 105 in 'Conservation and Discovery'
4.45A,St Peter's head:  cross sections of paint samples 20/1997,4.45_20-1997.jpg,The Perry Lithgow Partnership,Part of Fig 107 in 'Conservation and Discovery'
4.45B,St Peter's head:  cross sections of paint samples 21/1997,4.45_21-1997.jpg,The Perry Lithgow Partnership,Part of Fig 107 in 'Conservation and Discovery'
4.45C,St Peter's head:  cross sections of paint samples 23a/1997,4.45_23a-1997.jpg,The Perry Lithgow Partnership,Part of Fig 107 in 'Conservation and Discovery'
4.45D,St Peter's head:  cross sections of paint samples 23b/1997,4.45_23b-1997.jpg,The Perry Lithgow Partnership,Part of Fig 107 in 'Conservation and Discovery'
4.46,"The green drapery of the organistrum player:  paint sample 5/2001 (wrongly labelled 5/1999) , its location, in section and in dispersion; and Red-brown paint on the base of the organistrum sample 4/2001 (wrongly labelled 4/1999), its location and section",4.46_4_5-2001.jpg,The Perry Lithgow Partnership,Part of Figs 108 and 109 in 'Conservation and Discovery'
4.47,"Red-brown paint on the base of the organistrum sample 4/2001 (wrongly labelled 4/1999), in section",4.47_4-2001.jpg,The Perry Lithgow Partnership,Part of Fig 109 in 'Conservation and Discovery'
4.48,"Original paint from under a missing nail head on the Grammer lozenge background, sample 7/2001 (wrongly labelled 7/1999)",4.48_7-2001.jpg,The Perry Lithgow Partnership,Part of Fig 110 in 'Conservation and Discovery'
4.49A,"Paint sample 1/2000 from shallow relief foliate design on an original ashlar board, micrograph",4.49_1-2000_micrograph.jpg,The Perry Lithgow Partnership,Part of Fig 111 in 'Conservation and Discovery'
4.49B,"Paint sample 1/2000 from shallow relief foliate design on an original ashlar board, location",4.49_1-2000_location.jpg,The Perry Lithgow Partnership,Part of Fig 111 in 'Conservation and Discovery'
4.50,The paint scheme found on the east side of the easternmost joist (joist 1) in the roof space bay: (left to right) detail of the painted decoration; sample 34/2002; sample 32/2002,4.50_32_34-2002.jpg,The Perry Lithgow Partnership,Part of Fig 112 in 'Conservation and Discovery'
5.3A,"The dragon lozenge centre in Bay 2:  sample 15/1999 from the blue/green background showing, from top, 1830s Prussian blue, 1740s basic-verdigris pigment mixed with yellow iron oxide particles, white lead ground",5.3_15-1999_micrograph.jpg,The Perry Lithgow Partnership,Part of Fig 131 in 'Conservation and Discovery'
5.3B,The dragon lozenge centre in Bay 2:  sample 15/1999 from the blue/green background location,5.3_15-1999_location.jpg,The Perry Lithgow Partnership,Part of Fig 131 in 'Conservation and Discovery'
5.4,The eagle lozenge centre boards; the red drawing outlines shallow relief mandorla ,5.4_eagle.jpg,The Perry Lithgow Partnership,Fig 130 in 'Conservation and Discovery'
5.7,"Narrow band of 1740s frieze decoration on a replacement ceiling board which has not been overpainted, visible in a gap between overlapping boards",5.7_frieze.jpg,The Perry Lithgow Partnership,Fig 134 in 'Conservation and Discovery'
5.13A,Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - micrograph,5.13_14-1999_micrograph.jpg,The Perry Lithgow Partnership,Part of Fig 141 in 'Conservation and Discovery'
5.13B,Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - location,5.13_14-1999_location.jpg,The Perry Lithgow Partnership,Part of Fig 141 in 'Conservation and Discovery'
5.19,Tracing of the scrollwork underpaint on the north side ashlar boards at the east end superimposed on the ashlar boards:  this is considered an 1830s trial scheme abandoned in favour of the present design,5.19_tracing.jpg,The Perry Lithgow Partnership,Fig 147 in 'Conservation and Discovery'
6.33,Nearly all nail heads and Ceiling bolts covered by the 1740s brown/black paint without an intervening white lead ground were corroded to the extent that little or none of the covering paint survives.  Applying the Paraloid B72TM adhesive solution to a nail head,6.33_flaking_nails.jpg,The Perry Lithgow Partnership,Part of Fig 186 in 'Conservation and Discovery'
6.43A,Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/III,6.43_blanching_1.jpg,The Perry Lithgow Partnership,Part of Fig 194 in 'Conservation and Discovery'
6.43B,Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II,6.43_blanching_2.jpg,The Perry Lithgow Partnership,Part of Fig 194 in 'Conservation and Discovery'
6.43C,Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II,6.43_blanching_3.jpg,The Perry Lithgow Partnership,Part of Fig 194 in 'Conservation and Discovery'
6.44A,Paint re-attachment tests during the Emergency Treatment phase:  paint relaxation using the Preservation Pencil,6.44_test_relax_1.jpg,The Perry Lithgow Partnership,Part of Fig 195 in 'Conservation and Discovery'
6.44B,Paint re-attachment tests during the Emergency Treatment phase:  injecting the adhesive,6.44_test_relax_2.jpg,The Perry Lithgow Partnership,Part of Fig 195 in 'Conservation and Discovery'
6.44C,Paint re-attachment tests during the Emergency Treatment phase:  applying pressure to the flake,6.44_test_relax_3.jpg,The Perry Lithgow Partnership,Part of Fig 195 in 'Conservation and Discovery'
8.00,"Detailed views in raking light of some of the original painted decoration, that is, a cross botonny inside a band of four grooves, now showing as relief within the weathered timber surface:  south transept, panel C/6 lower left, C/7 lower right",Plate_8.jpg,The Perry Lithgow Partnership,Part of Fig 65 in 'Conservation and Discovery'
9.00,"Detailed views in raking light of some of the original painted decoration, that is, a cross botonny inside a band of four grooves, now showing as relief within the weathered timber surface:  south transept, panel E/9 upper left, E/8 upper right",Plate_9.jpg,The Perry Lithgow Partnership,Part of Fig 65 in 'Conservation and Discovery'
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