?collection id,data type,file name,title,abstract,author first name,author last name,author organisation,copyright organisation,page count,date published,publisher,place published,language
1006150,Text,1-The_Conservation_and_Restoration_of_Historical_Stained_and_Painted_Glass.pdf,The Conservation and Restoration of Historical Stained and Painted Glass: An introduction to the Problems,,Ivo,Rauch,,Deutsche Kunstverlag,15,2004,Deutsche Kunstverlag,Die Denkmalpflege,English
1006150,Text,2-Cleaning_A_Balancing_Act.pdf,Cleaning: A Balancing Act,,Hannelore,Römich,,,44,2000,Verlag Philipp von Zabern,Mainz,English
,,,,,Elisabeth,Jägers,,,,,,,
,,,,,Manfred,Torge,,,,,,,
,,,,,Wolfgang,Müller,,,,,,,
,,,,,Karin,Adam,,,,,,,
1006150,Text,3-Conservation_Materials_and_Methods.pdf,Conservation: Materials and Methods,,Elisabeth,Jägers,,,46,2000,Verlag Philipp von Zabern,Mainz,English
,,,,,Hannelore,Römich,,,,,,,
,,,,,Carola,Müller-Weinitsche,,,,,,,
1006150,Text,4-Protective_Glazing.pdf,Protective Glazing,,Stefan,Oidtmann,,,65,2000,Verlag Philipp von Zabern,Mainz,English
,,,,,Johanna,Leissner,,,,,,,
,,,,,Hannelore,Römich,,,,,,,
1006150,Text,5-Science_in_the_Service_of_Restoration.pdf,Science in the Service of Restoration,,Wolfgang,Müller,,,48,2000,Verlag Philipp von Zabern,Mainz,English
,,,,,Manfred,Torge,,,,,,,
,,,,,Karin,Adam,,,,,,,
,,,,,Hannelore,Römich,,,,,,,
,,,,,Rudolf,Weissmann,,,,,,,
,,,,,Rainer,Drewello,,,,,,,
1006150,Text,6-Conservation_Bibliography.pdf,Conservation Bibliography,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),18,2010,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Abstracts1_26.pdf,8th Colloquium of the Corpus Vitrearum Medii Aevi York and Canterbury 25th September to 1st October 1972: Items 1 to 26,Prepared for the Cathedral Architects' Conference held 13th to 15th April 1972,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),12,1972,Corpus Vitrearum (Great Britain),York and Canterbury,English
1006150,Text,Abstracts27_49.pdf,8th Colloquium of the Corpus Vitrearum Medii Aevi York and Canterbury 25th September to 1st October 1972: Items 27 to 49,"Supplement No. 1, dated 22.5.72",,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),6,1972,Corpus Vitrearum (Great Britain),York and Canterbury,English
1006150,Text,Abstracts50_70.pdf,8th Colloquium of the Corpus Vitrearum Medii Aevi York and Canterbury 25th September to 1st October 1972: Items 50 to 70,"Supplement No. 2, dated 21.8.72",,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),8,1972,Corpus Vitrearum (Great Britain),York and Canterbury,English
1006150,Text,AbstractsConcordance.pdf,CV/CVMA Newsletter Concordance of Abstracts,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),32,2010,Corpus Vitrearum (Great Britain),York and Canterbury,English
1006150,Text,CVMAbibliography1984_1989.pdf,Corpus Vitrearum Medii Aevi: 19 4: 1989,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),30,1989,Corpus Vitrearum (Great Britain),London,German
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1006150,Text,CVMAbibliography1989_1991.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 1989-1991,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),26,1991,Corpus Vitrearum (Great Britain),London,German
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1006150,Text,CVMAbibliography1991_1993.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 1991-1993,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),21,1993,Corpus Vitrearum (Great Britain),London,German
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1006150,Text,CVMAbibliography1993_1995.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 1993-1995,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),20,1995,Corpus Vitrearum (Great Britain),London,German
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1006150,Text,CVMAbibliography1995_1998.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 1995-1998,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),36,1998,Corpus Vitrearum (Great Britain),London,French
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1006150,Text,CVMAbibliography1998_2000.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 1998-2000,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),38,2000,Corpus Vitrearum (Great Britain),London,German
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1006150,Text,CVMAbibliography2000_2002.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 2000-2002,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),42,2002,Corpus Vitrearum (Great Britain),London,French
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1006150,Text,CVMAbibliography2002_2004.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 2002-2004,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),30,2004,Corpus Vitrearum (Great Britain),London,French
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1006150,Text,CVMAbibliography2004_2006.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 2004-2006,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),37,2006,Corpus Vitrearum (Great Britain),London,French
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1006150,Text,CVMAbibliography2006_2008.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 2006 - 2008,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),36,2008,Corpus Vitrearum (Great Britain),London,French
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1006150,Text,CVMAbibliography2008_2010.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 2008 - 2010,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),33,2010,Corpus Vitrearum (Great Britain),London,French
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1006150,Text,CVMAbibliography2010_2012.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 2010-2012,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),39,2012,Corpus Vitrearum (Great Britain),London,French
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1006150,Text,CVMAbibliography2012_2014.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 2012 - 2014,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),39,2014,Corpus Vitrearum (Great Britain),London,French
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1006150,Text,CVMAbibliography2014_2016.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 2014 - 2016,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),46,2016,Corpus Vitrearum (Great Britain),London,French
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1006150,Text,CVMAbibliography2016_2018.pdf,Corpus Vitrearum Medii Aevi Corpus Vitrearum Bibliographie 2016 - 2018,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),41,2018,Corpus Vitrearum (Great Britain),London,French
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1006150,Text,CV_NewsletterOverview.pdf,The Newsletter of the Corpus Vitrearum/Corpus Vitrearum Medii Aevi,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),2,2010,Corpus Vitrearum (Great Britain),London,English
1006150,Text,CVMAnewsletter01.pdf,News Letter No. 1 ,"I have received many comments on my document concerning possible programmes of work (TC/72/4, dated 3Ist October L97Z) , from members'of the Technical Sub Committee and from others who
are interested in the work, and there have been several interesting developments. It therefore seems to me that it will be useful to prepare occasional ""News Letters"" in an attempt to keep my various colleagues informed about work in progress. These News Letters will therefore go to a distinctly wider audience than the Technical Sub Committee and it is hoped that they wiII lead to a general sharing of information about conseryation of medieval glass, to the advantage of all concerned. ",Roy G,Newton,,,5,1972,"Technical Sub Committee of the British Committee of the CVMA C/O British Glass Industry Research Association, Northumberland Road Sheffield S10 2UA Gt Britain",Sheffield,English
1006150,Text,CVMAnewsletter02.pdf,News Letter No. 2,,Roy G,Newton,,,5,1973,"Technical Sub Committee of the British Committee of the CVMA C/O British Glass Industry Research Association, Northumberland Road Sheffield S10 2UA Gt Britain",Sheffield,English
1006150,Text,CVMAnewsletter03.pdf,News Letter No. 3,,Roy G,Newton,,,6,1973,"Technical Sub Committee of the British Committee of the CVMA C/O British Glass Industry Research Association, Northumberland Road Sheffield S10 2UA Gt Britain",Sheffield,English
1006150,Text,CVMAnewsletter04.pdf,News Letter No. 4,,Roy G,Newton,,,12,1973,"Technical Sub Committee of the British Committee of the CVMA C/O British Glass Industry Research Association, Northumberland Road Sheffield S10 2UA Gt Britain",Sheffield,English
1006150,Text,CVMAnewsletter05.pdf,News Letter No. 5,,Roy G,Newton,,,9,1973,"Technical Sub Committee of the British Committee of the CVMA C/O British Glass Industry Research Association, Northumberland Road Sheffield S10 2UA Gt Britain",Sheffield,English
1006150,Text,CVMAnewsletter06.pdf,News Letter No. 6,,Roy G,Newton,,,6,1974,"Technical Sub Committee of the British Committee of the CVMA C/O British Glass Industry Research Association, Northumberland Road Sheffield S10 2UA Gt Britain",Sheffield,English
1006150,Text,CVMAnewsletter07.pdf,News Letter No. 7,,Roy G,Newton,,,11,1974,"Technical Sub Committee of the British Committee of the CVMA C/O British Glass Industry Research Association, Northumberland Road Sheffield S10 2UA Gt Britain",Sheffield,English
1006150,Text,CVMAnewsletter08.pdf,News Letter No. 8,,Roy G,Newton,,,6,1974,"Technical Sub Committee of the British Committee of the CVMA C/O British Glass Industry Research Association, Northumberland Road Sheffield S10 2UA Gt Britain",Sheffield,English
1006150,Text,CVMAnewsletter09.pdf,News Letter No. 9,,Roy G,Newton,,,5,1974,"Technical Sub Committee of the British Committee of the CVMA C/O British Glass Industry Research Association, Northumberland Road Sheffield S10 2UA Gt Britain",Sheffield,English
1006150,Text,CVMAnewsletter10.pdf,News Letter No. 10,,Roy G,Newton,,,9,1974,"Technical Sub Committee of the British Committee of the CVMA C/O British Glass Industry Research Association, Northumberland Road Sheffield S10 2UA Gt Britain",Sheffield,English
1006150,Text,CVMAnewsletter11.pdf,CVMA News Letter 11,,Roy G,Newton,,,10,1974,"British Technical Committee, Corpus Vitrearum Medii Aevi","Department of Physics, University of York",English
1006150,Text,CVMAnewsletter12.pdf,CVMA News Letter 12 ,,Roy G,Newton,,,10,1975,"British Technical Committee, Corpus Vitrearum Medii Aevi","Department of Physics, University of York",English
1006150,Text,CVMAnewsletter13.pdf,CVMA News Letter 13,,Roy G,Newton,,,11,1975,"British Technical Committee, Corpus Vitrearum Medii Aevi","Department of Physics, University of York",English
1006150,Text,CVMAnewsletter14.pdf,CVMA News Letter 14,,Roy G,Newton,,,8,1975,"British Technical Committee, Corpus Vitrearum Medii Aevi","Department of Physics, University of York",English
1006150,Text,CVMAnewsletter15.pdf,CVMA News Letter 15,,Roy G,Newton,,,18,1975,"British Technical Committee, Corpus Vitrearum Medii Aevi","Department of Physics, University of York",English
1006150,Text,CVMAnewsletter16.pdf,CVMA News Letter 16,,Roy G,Newton,,,13,1975,"British Technical Committee, Corpus Vitrearum Medii Aevi","Department of Physics, University of York",English
1006150,Text,CVMAnewsletter17.pdf,CV News Letter 17,,Roy G,Newton,,,13,1975,Corpus Vitrearum Technical Committee,"Department of Physics, University of York",English
1006150,Text,CVMAnewsletter18.pdf,CV News Letter 18 ,,Roy G,Newton,,,12,1976,Comité Technique du Corpus Vitrearum,"Department of Physics, University of York",English
1006150,Text,CVMAnewsletter19.pdf,CV News Letter 19,,Roy G,Newton,,,8,1976,Comité Technique du Corpus Vitrearum,"Department of Physics, University of York",English
1006150,Text,CVMAnewsletter20.pdf,CV News Letter 20,,Roy G,Newton,,,15,1976,Comité Technique du Corpus Vitrearum,"Department of Physics, University of York",English
1006150,Text,CVMAnewsletter21.pdf,CV News Letter 21 ,,Roy G,Newton,,,17,1976,Comité Technique du Corpus Vitrearum,"Department of Physics, University of York",English
1006150,Text,CVMAnewsletter22.pdf,CV News Letter 22,,Roy G,Newton,,,12,1976,Comité Technique du Corpus Vitrearum,"Department of Physics, University of York",English
1006150,Text,CVMAnewsletter23.pdf,CV News Letter 23,,Roy G,Newton,,,14,1976,Comité Technique du Corpus Vitrearum,"Department of Physics, University of York",English
1006150,Text,CVMAnewsletter24.pdf,CV News Letter 24,,Roy G,Newton,,,17,1977,Comité Technique du Corpus Vitrearum,"Department of Physics, University of York",English
,,,,,,,,,,,,,French
1006150,Text,CVMAnewsletter25.pdf,CV News Letter 25,,Roy G,Newton,,,18,1977,Comité Technique du Corpus Vitrearum,"Department of Physics, University of York",English
1006150,Text,CVMAnewsletter26.pdf,CV News Letter 26,,Bruno,Mühlethaler,,,13,1978,Comité Technique du Corpus Vitrearum,"Department of Physics, University of York",French
,,,,,Roy G,Newton,,,,,,,English
,,,,,,,,,,,,,German
1006150,Text,CVMAnewsletter27.pdf,CV News Letter 27,,Roy G,Newton,,,16,1978,comite [sic] technique du corpus vitrearum,ICCROM 13 VIA DI SAN MICHELE ROMA,English
,,,,,Ulf-Dietrich,Korn,,,,,,,French
,,,,,Ernst,Bacher,,,,,,,German
1006150,Text,CVMAnewsletter28.pdf,CV News Letter 28,,Roy G,Newton,,,16,1978,comite [sic] technique du corpus vitrearum,ICCROM 13 VIA DI SAN MICHELE ROMA,English
,,,,,Ernst,Bacher,,,,,,,Geman
,,,,,G,Schuecker,,,,,,,
,,,,,W P,Bauer,,,,,,,
,,,,,J C,Ferrazzini,,,,,,,
1006150,Text,CVMAnewsletter29.pdf,CV News Letter 29,,Roy G,Newton,Newton,,36,1979,comite [sic] technique du corpus vitrearum,ICCROM 13 VIA DI SAN MICHELE ROMA,English
,,,,,L,Grodecki,,,,,,,French
,,,,,Jean-Marie,Bettembourg,,,,,,,German
,,,,,Catherine,Brisac,,,,,,,
,,,,,Monique,Perez Y Jorba,,,,,,,
,,,,,Erhard,Drachenberg,,,,,,,
,,,,,Wolfgang,Müller,,,,,,,
,,,,,Madeline H,Caviness,,,,,,,
,,,,,Meredith Parsons,Lillich,,,,,,,
1006150,Text,CVMAnewsletter30.pdf,CV News Letter 30,,Rüdiger,Becksmann,,,16,1979,comite [sic] technique du corpus vitrearum,ICCROM 13 VIA DI SAN MICHELE ROMA,English
,,,,,Bruno,Mühlethaler,,,,,,,French
,,,,,M,Hangartner,,,,,,,German
1006150,Text,CVMAnewsletter31_32.pdf,CV News Letter 31/32,,Erhard,Drachenberg,,,34,1980,comite [sic] technique du corpus vitrearum,ICCROM 13 VIA DI SAN MICHELE ROMA,English
,,,,,Wolfgang,Müller,,,,,,,German
,,,,,H,Pouillon,,,,,,,
,,,,,Roland,Möller,,,,,,,
,,,,,S,Hreglich,,,,,,,
,,,,,B,Profilo,,,,,,,
,,,,,M,Verità,,,,,,,
,,,,,Ernst,Bacher,,,,,,,
1006150,Text,CVMAnewsletter33_34.pdf,CV News Letter 33/34,,Rüdiger,Becksmann,,,32,1982,comite [sic] technique du corpus vitrearum,ICCROM 13 VIA DI SAN MICHELE ROMA,English
,,,,,Jean-Marie,Bettembourg,,,,,,,German
,,,,,Bruno,Mühlethaler,,,,,,,French
,,,,,Herman,Janse,,,,,,,
,,,,,Roy G,Newton,,,,,,,
,,,,,Eva,Fitz,,,,,,,
,,,,,Ulf-Dielrich,Korn,,,,,,,
1006150,Text,CVMAnewsletter35_36.pdf,CV News Letter 35/36,,Ernst,Bacher,,,32,1983,comite [sic] technique du corpus vitrearum,ICCROM 13 VIA DI SAN MICHELE ROMA,English
,,,,,Bruno,Mühlethaler,,,,,,,French
,,,,,Françoise,Perrot,,,,,,,German
,,,,,Jean-Marie,Bettembourg,,,,,,,
,,,,,Elisabeth,Oberhaidacher,,,,,,,
,,,,,W P,Bauer,,,,,,,
1006150,Text,CVMAnewsletter37_38.pdf,CV News Letter 37/38,,Rüdiger,Becksmann,,,32,1984,comite [sic] technique du corpus vitrearum,ICCROM 13 VIA DI SAN MICHELE ROMA,English
,,,,,Gottfried,Frenzel,,,,,,,French
,,,,,Erhard,Drachenberg,,,,,,,German
,,,,,Jean-Marie,Bettembourg,,,,,,,
,,,,,Monique,Perez Y Jorba,,,,,,,
,,,,,Jean-Pierre,Dallas,,,,,,,
,,,,,Hannelore,Marschner,,,,,,,
,,,,,W P,Bauer,,,,,,,
,,,,,C H,Richter,,,,,,,
,,,,,Roland,Möller,,,,,,,
,,,,,Wolfgang,Müller,,,,,,,
,,,,,Elisabeth,Oberhaidacher,,,,,,,
,,,,,J ,Seeger,,,,,,,
1006150,Text,CVMAnewsletter39_40.pdf,CV News Letter 39/40,,Jean-Marie,Bettembourg,,,32,1986,comité technique du corpus vitrearum | comité international de l?icomos pour le vitrail,ICCROM 13 VIA DI SAN MICHELE ROMA,English
,,,,,Françoise,Perrot,,,,,,,French
,,,,,Ernst,Bacher,,,,,,,German
,,,,,Jean-Jacques,Burck,,,,,,,
,,,,,Elisabeth,Oberhaidacher,,,,,,,
,,,,,Erhard,Drachenberg,,,,,,,
,,,,,Wolfgang,Müller,,,,,,,
,,,,,Hannelore,Marschner,,,,,,,
,,,,,Bennard,Jütte,,,,,,,
1006150,Text,CVMAnewsletter41_42.pdf,News Letter 41/42,,Ernst,Bacher,,,30,1988,comité technique international du corpus vitrearum | comité technique international pour le vitrail de l?icomos,Centre International du Vitrail,English
,,,,,J L,Taupin,,,,,,,French
,,,,,Benoît,Morq,,,,,,,German
,,,,,M,Mauret,,,,,,,
,,,,,Herman,Janse,,,,,,,
,,,,,Elisabeth,Oberhaidacher,,,,,,,
,,,,,Stefan,Trumpler,,,,,,,
,,,,,Peter,van Treeck,,,,,,,
,,,,,Arnold,Wolff,,,,,,,
,,,,,Dieter R,Fuchs,,,,,,,
,,,,,H,Patzelt,,,,,,,
,,,,,G,Tunker,,,,,,,
,,,,,H,Schmidt,,,,,,,
1006150,Text,CVMAnewsletter43_44.pdf,News Letter 43/44,,Catherine,Brisac,,,36,1990,comité technique international du corpus vitrearum | comité technique international pour le vitrail de l?icomos,Centre International du Vitrail,English
,,,,,Françoise,Perrot,,,,,,,French
,,,,,Elisabeth,Oberhaidacher,,,,,,,German
,,,,,Rüdiger,Becksmann,,,,,,,
,,,,,Jean-Marie,Bettembourg,,,,,,,
,,,,,Erhard,Drachenberg,,,,,,,
,,,,,Almut,Fischer,,,,,,,
,,,,,Wolfgang,Müller,,,,,,,
,,,,,M,Mittelstädt,,,,,,,
,,,,,G,Bochynek,,,,,,,
,,,,,H,Pouillon,,,,,,,
,,,,,Ernst,Bacher,,,,,,,
,,,,,Stefan,Trümpler,,,,,,,
,,,,,Arnold,Wolff,,,,,,,
,,,,,Thomas,Huss,,,,,,,
1006150,Text,CVMAnewsletter45.pdf,Corpus Vitrearum NewsLetter 45,,Anne,Prache,,,47,1994,Bulletin du Comité International pour la Recherche sur la Conservation et la Technologie / Bulletin of the International Comitee [sic] for Conservation and Technological Research / Mitteilungen des Internationalen Komitees für Konservierung und Technologie,Centre Suisse de recherche et d?information sur le vitrail,English
,,,,,Claudine,Lautier,,,,,,,French
,,,,,Colette,Deremble,,,,,,,German
,,,,,Ernst,Bacher,,,,,,,
,,,,,Elisabeth,Oberhaidacher,,,,,,,
,,,,,Alfred,Fisher,,,,,,,
,,,,,Elise,Learner,,,,,,,
,,,,,Keith C,Barley,,,,,,,
,,,,,Stefan,Oidtmann,,,,,,,
,,,,,Robert,Crevecoeur,,,,,,,
,,,,,Guy,Nicot,,,,,,,
,,,,,Stefan,Trümpler,,,,,,,
1006150,Text,CVMAnewsletter46.pdf,Corpus Vitrearum NewsLetter 46,,Falko,Bornschein,,,43,1999,Bulletin du Comité International pour la Recherche sur la Conservation et la Technologie / Bulletin of the International Comitee [sic] for Conservation and Technological Research / Mitteilungen des Internationalen Komitees für Konservierung und Technologie,Centre Suisse de recherche et d?information sur le vitrail,English
,,,,,Ulricke,Brinckmann,,,,,,,French
,,,,,Peter,Decker,,,,,,,German
,,,,,Americo,Corallini,,,,,,,
,,,,,Andrea,Casini,,,,,,,
,,,,,Franco,Lotti,,,,,,,
,,,,,Lorenzo,Stefani,,,,,,,
,,,,,Bernd,Konrad,,,,,,,
,,,,,UIf Dietrich,Korn,,,,,,,
,,,,,Hannelore,Römich,,,,,,,
,,,,,Dieter R,Fuchs,,,,,,,
,,,,,Hartmut,Scholz,,,,,,,
,,,,,Daniel,Hess,,,,,,,
,,,,,Ivo,Rauch,,,,,,,
,,,,,Nobert,Kölzer,,,,,,,
,,,,,Barbara,Windelen,,,,,,,
,,,,,Hilary,Wayment,,,,,,,
,,,,,Helen J,Zakin,,,,,,,
,,,,,Elgin,Vaassen,,,,,,,
,,,,,Ernst,Bacher,,,,,,,
,,,,,Jean-Marie,Bettembourg,,,,,,,
,,,,,Ernesto,Brivio,,,,,,,
,,,,,Théo-Antoine,Hermanes,,,,,,,
,,,,,Carola,Mueller,,,,,,,
,,,,,Wolfgang,Müller,,,,,,,
,,,,,Monique,Perez Y Jorba,,,,,,,
,,,,,Françoise,Schweizer,,,,,,,
,,,,,Sebastian,Strobl,,,,,,,
1006150,Text,NewsletterIndex.pdf,CV/CVMA Newsletter Index,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),31,2010,Corpus Vitrearum (Great Britain),London,English
1006150,Text,NewsletterPublicationDetails.pdf,CVMA Newsletter Publication Details,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),4,2010,Corpus Vitrearum (Great Britain),London,English
1006150,Text,OCCPAP1_1_pp_i_viii.pdf,The Deterioration and Conservation of Painted Glass: A Critical Bibliography and Three Research Papers. Frontmatter,"The CVMA (GB) has now ensured that all the medieval glazing of York?s city churches has been recorded. Images and their associated metadata are available via the Picture Archive page. Here you will find a detailed bibliography compiled by Chloe Morgan, together with the tracery-numbering systems used at St Denys, St Martin-le-Grand, St Michael-le-Belfrey, St Olave, and St Saviour.",Roy G,Newton,,The British Academy,11,1974,Oxford University Press,London,English
1006150,Text,OCCPAP1_2_pp_1_30.pdf,The Deterioration and Conservation of Painted Glass: A Critical Bibliography and Three Research Papers. Abstracts Part 1,"The CVMA (GB) has now ensured that all the medieval glazing of York?s city churches has been recorded. Images and their associated metadata are available via the Picture Archive page. Here you will find a detailed bibliography compiled by Chloe Morgan, together with the tracery-numbering systems used at St Denys, St Martin-le-Grand, St Michael-le-Belfrey, St Olave, and St Saviour.",,,,The British Academy,30,1974,Oxford University Press,London,English
1006150,Text,OCCPAP1_3_pp_31_67.pdf,The Deterioration and Conservation of Painted Glass: A Critical Bibliography and Three Research Papers. Abstracts Part 2,"The CVMA (GB) has now ensured that all the medieval glazing of York?s city churches has been recorded. Images and their associated metadata are available via the Picture Archive page. Here you will find a detailed bibliography compiled by Chloe Morgan, together with the tracery-numbering systems used at St Denys, St Martin-le-Grand, St Michael-le-Belfrey, St Olave, and St Saviour.",,,,The British Academy,37,1974,Oxford University Press,London,English
1006150,Text,OCCPAP1_4_pp_68_69.pdf,Recovery of Lost or Faded Decoration on Painted Glass,"The CVMA (GB) has now ensured that all the medieval glazing of York?s city churches has been recorded. Images and their associated metadata are available via the Picture Archive page. Here you will find a detailed bibliography compiled by Chloe Morgan, together with the tracery-numbering systems used at St Denys, St Martin-le-Grand, St Michael-le-Belfrey, St Olave, and St Saviour.",Roy G,Newton,,The British Academy,2,1973,Oxford University Press,London,English
1006150,Text,OCCPAP1_5_pp_70_78.pdf,A Study on Cleaning Painted and Enamelled Glass in an Ultrasonic Bath,"The CVMA (GB) has now ensured that all the medieval glazing of York?s city churches has been recorded. Images and their associated metadata are available via the Picture Archive page. Here you will find a detailed bibliography compiled by Chloe Morgan, together with the tracery-numbering systems used at St Denys, St Martin-le-Grand, St Michael-le-Belfrey, St Olave, and St Saviour.",Roy G,Newton,,The British Academy,9,1974,Oxford University Press,London,English
,,,,,Peter,Gibson,,,,,,,
1006150,Text,OCCPAP1_6_pp_79_93.pdf,"Use of the ""Isoprobe"" for Studying the Chemical Composition of Some 12Th-Century Glass from York Minster","The CVMA (GB) has now ensured that all the medieval glazing of York?s city churches has been recorded. Images and their associated metadata are available via the Picture Archive page. Here you will find a detailed bibliography compiled by Chloe Morgan, together with the tracery-numbering systems used at St Denys, St Martin-le-Grand, St Michael-le-Belfrey, St Olave, and St Saviour.",Roy G,Newton,,The British Academy,15,1974,Oxford University Press,London,English
,,,,,Robert,Hedges,,,,,,,
1006150,Text,OCCPAP2_1_pp_i_xxxii.pdf,The Deterioration and Conservation of Painted Glass: a Critical Bibliography: pp i-xxxii,,R G,Newton,,The British Academy,34,1982,Oxford University Press,New York,English
1006150,Text,OCCPAP2_2_pp_1_31.pdf,The Deterioration and Conservation of Painted Glass: a Critical Bibliography: pp 1-31,,R G,Newton,,The British Academy,31,1982,Oxford University Press,New York,English
1006150,Text,OCCPAP2_3_pp_32_62.pdf,The Deterioration and Conservation of Painted Glass: a Critical Bibliography: pp 32-62,,R G,Newton,,The British Academy,31,1982,Oxford University Press,New York,English
1006150,Text,OCCPAP2_4_pp_63_81.pdf,The Deterioration and Conservation of Painted Glass: a Critical Bibliography: pp 63-81,,R G,Newton,,The British Academy,19,1982,Oxford University Press,New York,English
1006150,Text,OCCPAP2_5_pp_82_103.pdf,The Deterioration and Conservation of Painted Glass: a Critical Bibliography: pp 82-103,,R G,Newton,,The British Academy,22,1982,Oxford University Press,New York,English
1006150,Text,BristolConference.pdf,"Corpus Vitrearum XX International Conference Bristol, 12-17 July 2000","The XXth Colloquium of the Corpus Vitrearum took place in Bristol in July 2000. No transactions were published, although a booklet was produced for the conference, which among other things contains abstracts of the papers given and detailed site notes for the monuments visited in Bristol, Fairford, Gloucester, Great Malvern, Oxford, Tewkesbury and Wells.",,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),49,2000,Harvey Miller Publishers,Bristol,English
,,,,,,,,,,,,,German
,,,,,,,,,,,,,French
,,,,,,,,,,,,,Latin
1006150,Text,BritishAcademy.pdf,British Academy Research Projects,"The establishment of the CVMA in Great Britain is described by Mortimer Wheeler in his work The British Academy 1949?1968 (London, 1970), pp. 108?116.",Mortimer,Wheeler,,The British Academy,9,1968,The British Academy,London,English
1006150,Text,GloucesterCathedralEW.pdf,A History of Repairs to the Stained Glass in the Great East Window of Gloucester Cathedral,"The Great East Window of Gloucester Cathedral is the second largest medieval window in Britain. The thesis investigates its history of repairs and both quantifies and qualifies these. 
A landmark restoration campaign in 1861-62 under the guidance of the eminent art historian Charles Winston was important in its implications for the development of modern conservation philosophy. The thesis shows that, 
contrary to general assumption, this campaign has not been obliterated by later interventions. 
The validity of some repairs (seven replacement heads) is discussed and proposals are made for their future. 
Recommendations are also given for future conservation measures to ensure the long-term survival of the glass.",Léonie,Seliger,,,136,2001,"Department of Archaeology, University of York",York,English
1006150,Text,GloucesterEastWindow.pdf,CVMA panel-numbering system for the East window of Gloucester Cathedral,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),1,2001,Corpus Vitrearum (Great Britain),London,English
1006150,Text,King_and_SonArchive.pdf,King and Son Archive,"The business archives of G. King & Son, Norwich (founded 1927), were purchased by the Norfolk Record Office in 2004 (acc. 2004/53). The same year, other material relating to stained glass from the same company was purchased by the Glaziers? Trust of the Worshipful Company of Glaziers. This material was deposited on loan with the Society of Antiquaries of London in 2005. The CVMA (GB) is grateful to the Glaziers? Trust for permission to make the inventory of this material here.",,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),13,2005,Corpus Vitrearum (Great Britain),London,English
1006150,Text,LincolnCathedralLowerLevel.pdf,Lincoln Cathedral Ground Level ,Plan of the Lower Level of Lincoln Cathedral and its window system,,,Dean and Chapter of Lincoln Cathedral,Dean and Chapter of Lincoln Cathedral,1,2010,Corpus Vitrearum (Great Britain),London,English
1006150,Text,LincolnCathedralUpperLevel.pdf,Lincoln Cathedral Clerestory and Parts of Triforium: Upper Levels,Plan of the Upper Level of Lincoln Cathedral and its window system,,,Dean and Chapter of Lincoln Cathedral,Dean and Chapter of Lincoln Cathedral,1,2010,Corpus Vitrearum (Great Britain),London,English
1006150,Text,LincolnCathedralWindowNumberings.pdf,Lincoln Cathedral Concordance of Window Numbers,"The following concordance brings together four window-numbering systems that have been adopted at various times for Lincoln Cathedral.
The first two systems are historical and have been superseded by the most recent version of the CVMA system and the current Lincoln Cathedral workshop system. The first of the two historical systems, akin to the CVMA system, was current in the 1970s, and was used to identify only windows containing painted glass. The second was that adopted by Nigel Morgan in his CVMA (GB) volume on Lincoln Cathedral (The Medieval Painted Glass of Lincoln Cathedral, CVMA (GB), Occasional Paper III, London, 1983).
The CVMA system has been revised recently in order to accommodate all the windows in the cathedral visible from the interior. The chantry chapels are treated as separate units, and suffixes have 
been introduced to identify parts of the building not covered by a traditional application of the CVMA system (e.g., CH for the chapter house). The three lancets above the clerestory windows NXI and NXII remain unnumbered.
The Lincoln Cathedral workshop numbering includes all window openings, whether blocked or not, glazed or unglazed, and include windows not visible from the interior, such as those in the roof spaces. A system of prefixes, more developed than that used by the CVMA, is has been adopted to denote the area of the building in which the window is situated. Where a prefix consists of two or more letters and the first letter is N, S, E or W, this designates a compass point.",,,Dean and Chapter of Lincoln Cathedral,Dean and Chapter of Lincoln Cathedral,13,2010,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Gilchrist1.pdf,?The Tears Wept by Our Windows?: Severe Paint Loss from Stained Glass Windows of the Mid-Nineteenth Century. - Front Matter,"The aim of this study is to investigate the phenomenon of severe paint loss from windows of the mid- to late-nineteenth century, commonly known as the ?borax problem?. Focussing on three case study windows made by Hardman and Company of Birmingham and installed at Sherborne Abbey, Beverley Minster and All Saints? Church Emscote, the study addresses historical, technical and conservation aspects of severe paint loss.
Hardmans began making stained glass windows in 1845 and quickly became one of the most prolific nineteenth-century producers of stained glass.
Materials (glass and paint) were bought in, mostly from local suppliers, and conformed to the standards and published knowledge of the time. Similar materials were used in each of the three case studies, over a period of nearly forty years between 1851 and 1889.
The cause of paint loss in these cases does not appear to have been the use of borax, although this cannot be confirmed by the analytical technique used in this study. Rather, over-pigmentation and under-firing resulted in paint layers that were vulnerable to attack by moisture, leading to deterioration of the layer structure through corrosion of the glassy phase of the paint. Loss is almost total in the case of much of the Sherborne glass, moderate from the Beverley glass and relatively little from the Emscote glass, suggesting that Hardmans gradually improved their production methods over time.
Available techniques for the conservation and restoration of windows suffering from paint loss are considered, the most important being the installation of protective glazing systems to protect vulnerable paint from further deterioration, and the use of back-plates to reinstate lost detail and improve readability as well as aesthetic appearance.
This study represents an initial investigation into the wide-ranging problem of severe paint loss from nineteenth-century windows, and much more remains to be done; for example, study of other firms and types of deterioration, as well as technical investigation into the various factors affecting the rate and extent of paint loss.",Alison,Gilchrist,,,13,2010,"Department of History of Art, University of York",York,English
1006150,Text,Gilchrist2.pdf,?The Tears Wept by Our Windows?: Severe Paint Loss from Stained Glass Windows of the Mid-Nineteenth Century. - Content,"The aim of this study is to investigate the phenomenon of severe paint loss from windows of the mid- to late-nineteenth century, commonly known as the ?borax problem?. Focussing on three case study windows made by Hardman and Company of Birmingham and installed at Sherborne Abbey, Beverley Minster and All Saints? Church Emscote, the study addresses historical, technical and conservation aspects of severe paint loss.
Hardmans began making stained glass windows in 1845 and quickly became one of the most prolific nineteenth-century producers of stained glass.
Materials (glass and paint) were bought in, mostly from local suppliers, and conformed to the standards and published knowledge of the time. Similar materials were used in each of the three case studies, over a period of nearly forty years between 1851 and 1889.
The cause of paint loss in these cases does not appear to have been the use of borax, although this cannot be confirmed by the analytical technique used in this study. Rather, over-pigmentation and under-firing resulted in paint layers that were vulnerable to attack by moisture, leading to deterioration of the layer structure through corrosion of the glassy phase of the paint. Loss is almost total in the case of much of the Sherborne glass, moderate from the Beverley glass and relatively little from the Emscote glass, suggesting that Hardmans gradually improved their production methods over time.
Available techniques for the conservation and restoration of windows suffering from paint loss are considered, the most important being the installation of protective glazing systems to protect vulnerable paint from further deterioration, and the use of back-plates to reinstate lost detail and improve readability as well as aesthetic appearance.
This study represents an initial investigation into the wide-ranging problem of severe paint loss from nineteenth-century windows, and much more remains to be done; for example, study of other firms and types of deterioration, as well as technical investigation into the various factors affecting the rate and extent of paint loss.",Alison,Gilchrist,,,106,2010,"Department of History of Art, University of York",York,English
1006150,Text,Gilchrist3.pdf,?The Tears Wept by Our Windows?: Severe Paint Loss from Stained Glass Windows of the Mid-Nineteenth Century. - Appendix 1,"The aim of this study is to investigate the phenomenon of severe paint loss from windows of the mid- to late-nineteenth century, commonly known as the ?borax problem?. Focussing on three case study windows made by Hardman and Company of Birmingham and installed at Sherborne Abbey, Beverley Minster and All Saints? Church Emscote, the study addresses historical, technical and conservation aspects of severe paint loss.
Hardmans began making stained glass windows in 1845 and quickly became one of the most prolific nineteenth-century producers of stained glass.
Materials (glass and paint) were bought in, mostly from local suppliers, and conformed to the standards and published knowledge of the time. Similar materials were used in each of the three case studies, over a period of nearly forty years between 1851 and 1889.
The cause of paint loss in these cases does not appear to have been the use of borax, although this cannot be confirmed by the analytical technique used in this study. Rather, over-pigmentation and under-firing resulted in paint layers that were vulnerable to attack by moisture, leading to deterioration of the layer structure through corrosion of the glassy phase of the paint. Loss is almost total in the case of much of the Sherborne glass, moderate from the Beverley glass and relatively little from the Emscote glass, suggesting that Hardmans gradually improved their production methods over time.
Available techniques for the conservation and restoration of windows suffering from paint loss are considered, the most important being the installation of protective glazing systems to protect vulnerable paint from further deterioration, and the use of back-plates to reinstate lost detail and improve readability as well as aesthetic appearance.
This study represents an initial investigation into the wide-ranging problem of severe paint loss from nineteenth-century windows, and much more remains to be done; for example, study of other firms and types of deterioration, as well as technical investigation into the various factors affecting the rate and extent of paint loss.",Alison,Gilchrist,,,23,2010,"Department of History of Art, University of York",York,English
1006150,Text,Gilchrist4.pdf,?The Tears Wept by Our Windows?: Severe Paint Loss from Stained Glass Windows of the Mid-Nineteenth Century. - Appendix 2,"The aim of this study is to investigate the phenomenon of severe paint loss from windows of the mid- to late-nineteenth century, commonly known as the ?borax problem?. Focussing on three case study windows made by Hardman and Company of Birmingham and installed at Sherborne Abbey, Beverley Minster and All Saints? Church Emscote, the study addresses historical, technical and conservation aspects of severe paint loss.
Hardmans began making stained glass windows in 1845 and quickly became one of the most prolific nineteenth-century producers of stained glass.
Materials (glass and paint) were bought in, mostly from local suppliers, and conformed to the standards and published knowledge of the time. Similar materials were used in each of the three case studies, over a period of nearly forty years between 1851 and 1889.
The cause of paint loss in these cases does not appear to have been the use of borax, although this cannot be confirmed by the analytical technique used in this study. Rather, over-pigmentation and under-firing resulted in paint layers that were vulnerable to attack by moisture, leading to deterioration of the layer structure through corrosion of the glassy phase of the paint. Loss is almost total in the case of much of the Sherborne glass, moderate from the Beverley glass and relatively little from the Emscote glass, suggesting that Hardmans gradually improved their production methods over time.
Available techniques for the conservation and restoration of windows suffering from paint loss are considered, the most important being the installation of protective glazing systems to protect vulnerable paint from further deterioration, and the use of back-plates to reinstate lost detail and improve readability as well as aesthetic appearance.
This study represents an initial investigation into the wide-ranging problem of severe paint loss from nineteenth-century windows, and much more remains to be done; for example, study of other firms and types of deterioration, as well as technical investigation into the various factors affecting the rate and extent of paint loss.",Alison,Gilchrist,,,47,2010,"Department of History of Art, University of York",York,English
1006150,Text,Gilchrist5.pdf,?The Tears Wept by Our Windows?: Severe Paint Loss from Stained Glass Windows of the Mid-Nineteenth Century. - Appendix 3,"The aim of this study is to investigate the phenomenon of severe paint loss from windows of the mid- to late-nineteenth century, commonly known as the ?borax problem?. Focussing on three case study windows made by Hardman and Company of Birmingham and installed at Sherborne Abbey, Beverley Minster and All Saints? Church Emscote, the study addresses historical, technical and conservation aspects of severe paint loss.
Hardmans began making stained glass windows in 1845 and quickly became one of the most prolific nineteenth-century producers of stained glass.
Materials (glass and paint) were bought in, mostly from local suppliers, and conformed to the standards and published knowledge of the time. Similar materials were used in each of the three case studies, over a period of nearly forty years between 1851 and 1889.
The cause of paint loss in these cases does not appear to have been the use of borax, although this cannot be confirmed by the analytical technique used in this study. Rather, over-pigmentation and under-firing resulted in paint layers that were vulnerable to attack by moisture, leading to deterioration of the layer structure through corrosion of the glassy phase of the paint. Loss is almost total in the case of much of the Sherborne glass, moderate from the Beverley glass and relatively little from the Emscote glass, suggesting that Hardmans gradually improved their production methods over time.
Available techniques for the conservation and restoration of windows suffering from paint loss are considered, the most important being the installation of protective glazing systems to protect vulnerable paint from further deterioration, and the use of back-plates to reinstate lost detail and improve readability as well as aesthetic appearance.
This study represents an initial investigation into the wide-ranging problem of severe paint loss from nineteenth-century windows, and much more remains to be done; for example, study of other firms and types of deterioration, as well as technical investigation into the various factors affecting the rate and extent of paint loss.",Alison,Gilchrist,,,9,2010,"Department of History of Art, University of York",York,English
1006150,Text,Gilchrist6.pdf,?The Tears Wept by Our Windows?: Severe Paint Loss from Stained Glass Windows of the Mid-Nineteenth Century. - Bibliography,"The aim of this study is to investigate the phenomenon of severe paint loss from windows of the mid- to late-nineteenth century, commonly known as the ?borax problem?. Focussing on three case study windows made by Hardman and Company of Birmingham and installed at Sherborne Abbey, Beverley Minster and All Saints? Church Emscote, the study addresses historical, technical and conservation aspects of severe paint loss.
Hardmans began making stained glass windows in 1845 and quickly became one of the most prolific nineteenth-century producers of stained glass.
Materials (glass and paint) were bought in, mostly from local suppliers, and conformed to the standards and published knowledge of the time. Similar materials were used in each of the three case studies, over a period of nearly forty years between 1851 and 1889.
The cause of paint loss in these cases does not appear to have been the use of borax, although this cannot be confirmed by the analytical technique used in this study. Rather, over-pigmentation and under-firing resulted in paint layers that were vulnerable to attack by moisture, leading to deterioration of the layer structure through corrosion of the glassy phase of the paint. Loss is almost total in the case of much of the Sherborne glass, moderate from the Beverley glass and relatively little from the Emscote glass, suggesting that Hardmans gradually improved their production methods over time.
Available techniques for the conservation and restoration of windows suffering from paint loss are considered, the most important being the installation of protective glazing systems to protect vulnerable paint from further deterioration, and the use of back-plates to reinstate lost detail and improve readability as well as aesthetic appearance.
This study represents an initial investigation into the wide-ranging problem of severe paint loss from nineteenth-century windows, and much more remains to be done; for example, study of other firms and types of deterioration, as well as technical investigation into the various factors affecting the rate and extent of paint loss.",Alison,Gilchrist,,,11,2010,"Department of History of Art, University of York",York,English
1006150,Text,ColeAdditions.pdf,Additions to the Cole Archive,"Cole prepared documentation on additional roundels that were not included in the Catalogue (Cole Archive), which was ultimately intended for publication.",William,Cole,,,43,1993,University of York,York,English
1006150,Text,ColeAnnotations.pdf,Annotations in Cole?s Copy of a Catalogue of Netherlandish and North European Roundels in Britain,"The archive contains a transcription of the annotations Cole made in his own copy of the Catalogue, as well as a catalogue of the archive itself, where neither the text nor the annotations have been edited in any way.",William,Cole,,,8,1993,University of York,York,English
1006150,Text,ColeArchive.pdf,The William Cole Archive on Stained Glass Roundels for the Corpus Vitrearum,"Following the publication of his Catalogue of Netherlandish and North European Roundels in Britain, Cole continued collecting materials on roundels.",William,Cole,,,16,1993,University of York,York,English
1006150,Text,Newton1-1.pdf,Schools of Glass Painting in the Midlands 1275-1430: Forward and Chapter 1-2,"The history of English stained glass painting between the years c.1275-1430 remains to be written. This present thesis is but a small contribution towards the eventual realisation of a comprehensive history.
This is a thorough investigation of the glass remaining in eight counties in the Midlands: Derbyshire, Leicestershire, Northamptonshire, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire. The geographical limits are, to a certain extent, accidental. The original intention teas to cover a wider area. However so much more materiel than was expected was located in the above eight counties that the material itself imposed its own limits. Much of the material was either completely unknown to historians or had been inadequately published.
The fragmentary nature of much of the glass aria a lack of precise documentation prompted an investigation of the church notes made by the antiquarian scholars of the sixteenth and seventeenth centuries, particularly the notes of William Wyrley, William Burton and Sir William Dugdale. Their notes record a vast quantity of heraldic glass that was later, for the most part, either destroyed or lost. An attempt has been made to identify the bearers of the arms and to establish the reasons for their representation in the church by an investigation of the manorial and family histories.
These, in turn, have provided evidence for a more precise dating of the extant glass. The stylistic characteristics of the remaining material enables a division into groups that appear to indicate the existence of individual workshops or centres of production. In a number of cases it has been possible to indicate affinities with other centres of glass painting outside the Midlands. In addition stylistic similarities with contemporary manuscript painting have been noted. However, until all the English glass of this period has been thoroughly investigated the present conclusions must be regarded as very tentative.",Peter Anthony,Newton,,,59,1961,University of York,York,English
1006150,Text,Newton1-2.pdf,Schools of Glass Painting in the Midlands 1275-1430: Chapter 3-5,"The history of English stained glass painting between the years c.1275-1430 remains to be written. This present thesis is but a small contribution towards the eventual realisation of a comprehensive history.
This is a thorough investigation of the glass remaining in eight counties in the Midlands: Derbyshire, Leicestershire, Northamptonshire, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire. The geographical limits are, to a certain extent, accidental. The original intention teas to cover a wider area. However so much more materiel than was expected was located in the above eight counties that the material itself imposed its own limits. Much of the material was either completely unknown to historians or had been inadequately published.
The fragmentary nature of much of the glass aria a lack of precise documentation prompted an investigation of the church notes made by the antiquarian scholars of the sixteenth and seventeenth centuries, particularly the notes of William Wyrley, William Burton and Sir William Dugdale. Their notes record a vast quantity of heraldic glass that was later, for the most part, either destroyed or lost. An attempt has been made to identify the bearers of the arms and to establish the reasons for their representation in the church by an investigation of the manorial and family histories.
These, in turn, have provided evidence for a more precise dating of the extant glass. The stylistic characteristics of the remaining material enables a division into groups that appear to indicate the existence of individual workshops or centres of production. In a number of cases it has been possible to indicate affinities with other centres of glass painting outside the Midlands. In addition stylistic similarities with contemporary manuscript painting have been noted. However, until all the English glass of this period has been thoroughly investigated the present conclusions must be regarded as very tentative.",Peter Anthony,Newton,,,48,1961,University of York,York,English
1006150,Text,Newton1-3.pdf,Schools of Glass Painting in the Midlands 1275-1430: Chapter 6,"The history of English stained glass painting between the years c.1275-1430 remains to be written. This present thesis is but a small contribution towards the eventual realisation of a comprehensive history.
This is a thorough investigation of the glass remaining in eight counties in the Midlands: Derbyshire, Leicestershire, Northamptonshire, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire. The geographical limits are, to a certain extent, accidental. The original intention teas to cover a wider area. However so much more materiel than was expected was located in the above eight counties that the material itself imposed its own limits. Much of the material was either completely unknown to historians or had been inadequately published.
The fragmentary nature of much of the glass aria a lack of precise documentation prompted an investigation of the church notes made by the antiquarian scholars of the sixteenth and seventeenth centuries, particularly the notes of William Wyrley, William Burton and Sir William Dugdale. Their notes record a vast quantity of heraldic glass that was later, for the most part, either destroyed or lost. An attempt has been made to identify the bearers of the arms and to establish the reasons for their representation in the church by an investigation of the manorial and family histories.
These, in turn, have provided evidence for a more precise dating of the extant glass. The stylistic characteristics of the remaining material enables a division into groups that appear to indicate the existence of individual workshops or centres of production. In a number of cases it has been possible to indicate affinities with other centres of glass painting outside the Midlands. In addition stylistic similarities with contemporary manuscript painting have been noted. However, until all the English glass of this period has been thoroughly investigated the present conclusions must be regarded as very tentative.",Peter Anthony,Newton,,,38,1961,University of York,York,English
1006150,Text,Newton1-4.pdf,Schools of Glass Painting in the Midlands 1275-1430: Chapter 7,"The history of English stained glass painting between the years c.1275-1430 remains to be written. This present thesis is but a small contribution towards the eventual realisation of a comprehensive history.
This is a thorough investigation of the glass remaining in eight counties in the Midlands: Derbyshire, Leicestershire, Northamptonshire, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire. The geographical limits are, to a certain extent, accidental. The original intention teas to cover a wider area. However so much more materiel than was expected was located in the above eight counties that the material itself imposed its own limits. Much of the material was either completely unknown to historians or had been inadequately published.
The fragmentary nature of much of the glass aria a lack of precise documentation prompted an investigation of the church notes made by the antiquarian scholars of the sixteenth and seventeenth centuries, particularly the notes of William Wyrley, William Burton and Sir William Dugdale. Their notes record a vast quantity of heraldic glass that was later, for the most part, either destroyed or lost. An attempt has been made to identify the bearers of the arms and to establish the reasons for their representation in the church by an investigation of the manorial and family histories.
These, in turn, have provided evidence for a more precise dating of the extant glass. The stylistic characteristics of the remaining material enables a division into groups that appear to indicate the existence of individual workshops or centres of production. In a number of cases it has been possible to indicate affinities with other centres of glass painting outside the Midlands. In addition stylistic similarities with contemporary manuscript painting have been noted. However, until all the English glass of this period has been thoroughly investigated the present conclusions must be regarded as very tentative.",Peter Anthony,Newton,,,29,1961,University of York,York,English
1006150,Text,Newton1-5.pdf,Schools of Glass Painting in the Midlands 1275-1430: Chapter 8,"The history of English stained glass painting between the years c.1275-1430 remains to be written. This present thesis is but a small contribution towards the eventual realisation of a comprehensive history.
This is a thorough investigation of the glass remaining in eight counties in the Midlands: Derbyshire, Leicestershire, Northamptonshire, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire. The geographical limits are, to a certain extent, accidental. The original intention teas to cover a wider area. However so much more materiel than was expected was located in the above eight counties that the material itself imposed its own limits. Much of the material was either completely unknown to historians or had been inadequately published.
The fragmentary nature of much of the glass aria a lack of precise documentation prompted an investigation of the church notes made by the antiquarian scholars of the sixteenth and seventeenth centuries, particularly the notes of William Wyrley, William Burton and Sir William Dugdale. Their notes record a vast quantity of heraldic glass that was later, for the most part, either destroyed or lost. An attempt has been made to identify the bearers of the arms and to establish the reasons for their representation in the church by an investigation of the manorial and family histories.
These, in turn, have provided evidence for a more precise dating of the extant glass. The stylistic characteristics of the remaining material enables a division into groups that appear to indicate the existence of individual workshops or centres of production. In a number of cases it has been possible to indicate affinities with other centres of glass painting outside the Midlands. In addition stylistic similarities with contemporary manuscript painting have been noted. However, until all the English glass of this period has been thoroughly investigated the present conclusions must be regarded as very tentative.",Peter Anthony,Newton,,,51,1961,University of York,York,English
1006150,Text,Newton1-6.pdf,Schools of Glass Painting in the Midlands 1275-1430: Cont.,"The history of English stained glass painting between the years c.1275-1430 remains to be written. This present thesis is but a small contribution towards the eventual realisation of a comprehensive history.
This is a thorough investigation of the glass remaining in eight counties in the Midlands: Derbyshire, Leicestershire, Northamptonshire, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire. The geographical limits are, to a certain extent, accidental. The original intention teas to cover a wider area. However so much more materiel than was expected was located in the above eight counties that the material itself imposed its own limits. Much of the material was either completely unknown to historians or had been inadequately published.
The fragmentary nature of much of the glass aria a lack of precise documentation prompted an investigation of the church notes made by the antiquarian scholars of the sixteenth and seventeenth centuries, particularly the notes of William Wyrley, William Burton and Sir William Dugdale. Their notes record a vast quantity of heraldic glass that was later, for the most part, either destroyed or lost. An attempt has been made to identify the bearers of the arms and to establish the reasons for their representation in the church by an investigation of the manorial and family histories.
These, in turn, have provided evidence for a more precise dating of the extant glass. The stylistic characteristics of the remaining material enables a division into groups that appear to indicate the existence of individual workshops or centres of production. In a number of cases it has been possible to indicate affinities with other centres of glass painting outside the Midlands. In addition stylistic similarities with contemporary manuscript painting have been noted. However, until all the English glass of this period has been thoroughly investigated the present conclusions must be regarded as very tentative.",Peter Anthony,Newton,,,50,1961,University of York,York,English
1006150,Text,Newton1-7.pdf,Schools of Glass Painting in the Midlands 1275-1430: Cont. and End,"The history of English stained glass painting between the years c.1275-1430 remains to be written. This present thesis is but a small contribution towards the eventual realisation of a comprehensive history.
This is a thorough investigation of the glass remaining in eight counties in the Midlands: Derbyshire, Leicestershire, Northamptonshire, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire. The geographical limits are, to a certain extent, accidental. The original intention teas to cover a wider area. However so much more materiel than was expected was located in the above eight counties that the material itself imposed its own limits. Much of the material was either completely unknown to historians or had been inadequately published.
The fragmentary nature of much of the glass aria a lack of precise documentation prompted an investigation of the church notes made by the antiquarian scholars of the sixteenth and seventeenth centuries, particularly the notes of William Wyrley, William Burton and Sir William Dugdale. Their notes record a vast quantity of heraldic glass that was later, for the most part, either destroyed or lost. An attempt has been made to identify the bearers of the arms and to establish the reasons for their representation in the church by an investigation of the manorial and family histories.
These, in turn, have provided evidence for a more precise dating of the extant glass. The stylistic characteristics of the remaining material enables a division into groups that appear to indicate the existence of individual workshops or centres of production. In a number of cases it has been possible to indicate affinities with other centres of glass painting outside the Midlands. In addition stylistic similarities with contemporary manuscript painting have been noted. However, until all the English glass of this period has been thoroughly investigated the present conclusions must be regarded as very tentative.",Peter Anthony,Newton,,,52,1961,University of York,York,English
1006150,Text,Newton2-1.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Derbyshire Part 1","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,55,1961,University of York,York,English
1006150,Text,Newton2-2.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Derbyshire Part 2","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,52,1961,University of York,York,English
1006150,Text,Newton2-3.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Derbyshire Part 3","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,25,1961,University of York,York,English
1006150,Text,Newton2-4.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Leicestershire Part 1","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,56,1961,University of York,York,English
1006150,Text,Newton2-5.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Leicestershire Part 2","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,47,1961,University of York,York,English
1006150,Text,Newton2-6.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Leicestershire Part 3","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,50,1961,University of York,York,English
1006150,Text,Newton2-7.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Leicestershire Part 4","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,48,1961,University of York,York,English
1006150,Text,Newton2-8.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Leicestershire Part 5","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,51,1961,University of York,York,English
1006150,Text,Newton2-9.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Leicestershire Part 6","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,46,1961,University of York,York,English
1006150,Text,Newton2-10.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Leicestershire Part 7","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,29,1961,University of York,York,English
1006150,Text,Newton2-11.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Northamptonshire Part 1","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,39,1961,University of York,York,English
1006150,Text,Newton2-12.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Northamptonshire Part 2","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,43,1961,University of York,York,English
1006150,Text,Newton2-13.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Northamptonshire Part 3","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,63,1961,University of York,York,English
1006150,Text,Newton2-14.pdf,"Topographical Survey, Derbyshire, Leicestershire and Northamptonshire: Northamptonshire Part 4","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,30,1961,University of York,York,English
1006150,Text,Newton3-1.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Nottinghamshire Part 1","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,47,1961,University of York,York,English
1006150,Text,Newton3-2.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Nottinghamshire Part 2","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,40,1961,University of York,York,English
1006150,Text,Newton3-3.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Nottinghamshire Part 3","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,50,1961,University of York,York,English
1006150,Text,Newton3-4.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Rutland and Shropshire Part 1","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,46,1961,University of York,York,English
1006150,Text,Newton3-5.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Shropshire Part 2","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,55,1961,University of York,York,English
1006150,Text,Newton3-6.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Shropshire Part 3","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,50,1961,University of York,York,English
1006150,Text,Newton3-7.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Shropshire Part 4","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,57,1961,University of York,York,English
1006150,Text,Newton3-8.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Staffordshire Part 1","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,40,1961,University of York,York,English
1006150,Text,Newton3-9.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Staffordshire Part 2","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,40,1961,University of York,York,English
1006150,Text,Newton3-10.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Staffordshire Part 3","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,48,1961,University of York,York,English
1006150,Text,Newton3-11.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Staffordshire Part 4","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,40,1961,University of York,York,English
1006150,Text,Newton3-12.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Staffordshire Part 5","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,35,1961,University of York,York,English
1006150,Text,Newton3-13.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Staffordshire Part 6","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,47,1961,University of York,York,English
1006150,Text,Newton3-14.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Staffordshire Part 7","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,53,1961,University of York,York,English
1006150,Text,Newton3-15.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Warwickshire Part 1","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,53,1961,University of York,York,English
1006150,Text,Newton3-16.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Warwickshire Part 2","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,55,1961,University of York,York,English
1006150,Text,Newton3-17.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Warwickshire Part 3","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,32,1961,University of York,York,English
1006150,Text,Newton3-18.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Warwickshire Part 4","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,59,1961,University of York,York,English
1006150,Text,Newton3-19.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Warwickshire Part 5","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,54,1961,University of York,York,English
1006150,Text,Newton3-20.pdf,"Topographical Survey, Nottinghamshire, Rutland, Shropshire, Staffordshire and Warwickshire: Warwickshire Part 6","Ever since it was written, Peter Newton?s doctoral thesis ?Schools of Glass Painting in the Midlands 1275 ? 1430? has been cited in the literature. The British CVMA is now very pleased to be able to make this work available to all. Since the material is spread across a number of files, we have provided detailed indexes of where to find information on various sites. We are also very grateful to the University of York, which gave permission for the thesis to be made available in this format, and to the following copyright holders, who have allowed their images to be used: the British Library (for fourteen images taken from MS Egerton 3510, and three taken from Add. MS 35211); the estate of Maurice H. Ridgway (for the three images of St Mary?s Hall, Coventry, for images taken by Fred Crossley); and the National Monuments Record (for the four images of St Mary?s Hall, Coventry, taken for the National Buildings record).",,,,,45,1961,University of York,York,English
1006150,Text,NewtonIndexes.pdf,Indexes to Peter Newton?s ?Schools Of Glass Painting In The Midlands 1275 ? 1430?,,,,,,6,2010,University of York,York,English
1006150,Text,WinchesterWestWindowNumbering.pdf,CVMA panel-numbering system for the West window of Winchester Cathedral,We provide here a panel-numbering system for the west window of the cathedral.,,,,,1,2010,Corpus Vitrearum (Great Britain),London,English
1006150,Text,YorkCityChurchesBibliography.pdf,Bibliography of Stained Glass in York City Churches (Excluding York Minster),"The CVMA (GB) has now ensured that all the medieval glazing of York?s city churches has been recorded. Images and their associated metadata are available via the Picture Archive page. Here you will find a detailed bibliography compiled by Chloe Morgan, together with the tracery-numbering systems used at St Denys, St Martin-le-Grand, St Michael-le-Belfrey, St Olave, and St Saviour.",Chloe,Morgan,,,14,2010,Corpus Vitrearum (Great Britain),London,English
1006150,Text,YorkCityChurchesTracery.pdf,York City Churches: Tracery-Numbering Systems for Selected Windows,"The CVMA (GB) has now ensured that all the medieval glazing of York?s city churches has been recorded. Images and their associated metadata are available via the Picture Archive page. Here you will find a detailed bibliography compiled by Chloe Morgan, together with the tracery-numbering systems used at St Denys, St Martin-le-Grand, St Michael-le-Belfrey, St Olave, and St Saviour.",Chloe,Morgan,,,4,2010,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Bale.pdf,"Bale, Parish Church of All Saints",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),28,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Bawburgh.pdf,"Bawburgh, Parish Church of St Mary and St Walstan",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),15,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Bawdeswell.pdf,"Bawdeswell, Parish Church of All Saints",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),3,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Brundall.pdf,"Brundall, Parish Church of St Lawrence",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),1,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Cawston.pdf,"Cawston, Parish Church of St Agnes",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),14,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Cley.pdf,"Cley, Parish Church of St Margaret",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),6,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Cromer.pdf,"Cromer, Collection of David King",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),1,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Dunston.pdf,"Dunston, Parish Church of St Remigius",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),9,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,EastHarling.pdf,"East Harling, Parish Church of Sts Peter and Paul",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),46,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Foxley.pdf,"Foxley, Parish Church of St Thomas",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),1,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Frettenham.pdf,"Frettenham, Parish Church of St Swithun",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),3,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Guestwick.pdf,"Guestwick, Parish Church of St Peter",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),8,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Heydon.pdf,"Heydon, Parish Church of St Peter and St Paul",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),3,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Kelling.pdf,"Kelling, Parish Church of St Mary",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),4,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Lammas.pdf,"Lammas (Lamas), Parish Church of St andrew",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),3,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Letheringsett.pdf,"Letheringsett, Parish Church of St andrew",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),2,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Metton.pdf,"Metton, Parish Church of St andrew",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),2,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Morston.pdf,"Morston, Parish Church of All Saints",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),1,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,NorfolkBibliography.pdf,Norfolk Bibliography,,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),10,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,NorthTuddenham.pdf,"North Tuddenham, Parish Church of St Mary",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),83,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,NorwichDennisKing.pdf,"Norwich, Private Collection",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),3,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,NorwichGuildhall.pdf,"Norwich Guildhall, Mayoral Council Chamber",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),27,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,NorwichStAndrew.pdf,"Norwich, Parish Church of St andrew",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),20,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,NorwichStPeterHungate.pdf,"Norwich, Parish Church of St Peter Hungate",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),20,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Outwell.pdf,"Outwell, Parish Church of St Clement",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),17,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Ringland.pdf,"Ringland, Parish Church of St Peter",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),20,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Salle.pdf,"Salle, Parish Church of St Peter and St Paul",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),106,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,SaxlinghamNethergate.pdf,"Saxlingham Nethergate, Parish Church of St Mary the Virgin",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),42,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Southrepps.pdf,"Southrepps, Parish Church of St James",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),2,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Stiffkey.pdf,"Stiffkey, Parish Church of St John the Baptist",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),3,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Stody.pdf,"Stody, Parish Church of St andrew",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),12,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Taverham.pdf,"Taverham, Parish Church of St Mary",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),8,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Thurgarton.pdf,"Thurgarton, Parish Church of All Saints",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),1,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,WiggenhallStMaryMagdalene.pdf,"Wiggenhall St Mary Magdalen, Parish Church of St Mary Magdalen",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),50,2006,Corpus Vitrearum (Great Britain),London,English
1006150,Text,Wiveton.pdf,"Wiveton, Parish Church of St Mary",,,,Corpus Vitrearum (Great Britain),Corpus Vitrearum (Great Britain),3,2006,Corpus Vitrearum (Great Britain),London,English