Grimaldi, M. (2015). Artistic connections in post-Reconquista Catalunya Nova: three capitals in the Cathedral of Tortosa. Church Archaeology 17. Vol 17, pp. 37-48. https://doi.org/10.5284/1081968. Cite this via datacite

Title
Title
The title of the publication or report
Title:
Artistic connections in post-Reconquista Catalunya Nova: three capitals in the Cathedral of Tortosa
Issue
Issue
The name of the volume or issue
Issue:
Church Archaeology 17
Series
Series
The series the publication or report is included in
Series:
Church Archaeology
Volume
Volume
Volume number and part
Volume:
17
Page Start/End
Page Start/End
The start and end page numbers.
Page Start/End:
37 - 48
Downloads
Downloads
Any files associated with the publication or report that can be downloaded from the ADS
Downloads:
churarch017_037-048_grimaldi.pdf (11 MB) : Download
Licence Type
Licence Type
ADS, CC-BY 4.0 or CC-BY 4.0 NC.
Licence Type:
Creative Commons Attribution 4.0 International Licence icon
Creative Commons Attribution 4.0
International Licence
DOI
DOI
The DOI (digital object identifier) for the publication or report.
DOI
https://doi.org/10.5284/1081968
Publication Type
Publication Type
The type of publication - report, monograph, journal article or chapter from a book
Publication Type:
Journal
Abstract
Abstract
The abstract describing the content of the publication or report
Abstract:
Two capitals placed in the cloister of the cathedral of Santa Maria of Tortosa (Spain) are among the few sculptural remains of the former Romanesque cathedral which was levelled between 1428 and 1703 for the construction of the extant Gothic building. The capitals, each formed by two fragments assembled together, depicting scenes of the Life of Christ, were positioned in the portal accessing the cloister garth in 1848, while the original location of the sculptures within the cathedral complex is still uncertain. Based on iconographic and stylistic comparisons the pieces can be dated to 1270. The artefacts present strong similarities with other pieces scattered around the region (some of which are still unpublished); this corpus of sculptures includes another capital kept in the cathedral museum and also the sculptural decoration of the Porta de l’Epistola of the cathedral of Tarragona. This paper will suggest the presence of an artist or a workshop active in Catalonia around the second half of the 13th century.
Author
Author
The authors of this publication or report
Author:
Matilde Grimaldi
Year of Publication
Year of Publication
The year the book, article or report was published
Year of Publication:
2015
Source
Source
Where the record has come from or which dataset it was orginally included in.
Source:
Source icon
ADS Archive (ADS Archive)
Relations
Relations
Other resources which are relevant to this publication or report
Relations:
Created Date
Created Date
The date the record of the pubication was first entered
Created Date:
30 Sep 2020