Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II
Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II
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Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II |
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Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II
Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II
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272 Kb
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Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II
Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II
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Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II |
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Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II
Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/II
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270 Kb
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Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/III
Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/III
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Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/III |
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Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/III
Cleaning and glue removal tests using water during the Emergency Treatment phase resulted in blanching of the paint surface of the St Paul lozenge in Bay 4 - 27/III
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178 Kb
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Detailed views in raking light of some of the original painted decoration that is a cross botonny inside a band of four grooves now showing as relief within the weathered timber surface: south
Detailed views in raking light of some of the original painted decoration that is a cross botonny inside a band of four grooves now showing as relief within the weathered timber surface: south
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Detailed views in raking light of some of the original painted decoration that is a cross botonny inside a band of four grooves now showing as relief within the weathered timber surface: south |
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Detailed views in raking light of some of the original painted decoration that is a cross botonny inside a band of four grooves now showing as relief within the weathered timber surface: south
Detailed views in raking light of some of the original painted decoration that is a cross botonny inside a band of four grooves now showing as relief within the weathered timber surface: south
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723 Kb
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Detailed views in raking light of some of the original painted decoration that is a cross botonny inside a band of four grooves now showing as relief within the weathered timber surface: south transept panel C/6 lower left C/7 lower right
Detailed views in raking light of some of the original painted decoration that is a cross botonny inside a band of four grooves now showing as relief within the weathered timber surface: south transept panel C/6 lower left C/7 lower right
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Detailed views in raking light of some of the original painted decoration that is a cross botonny inside a band of four grooves now showing as relief within the weathered timber surface: south transept panel C/6 lower left C/7 lower right |
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Detailed views in raking light of some of the original painted decoration that is a cross botonny inside a band of four grooves now showing as relief within the weathered timber surface: south transept panel C/6 lower left C/7 lower right
Detailed views in raking light of some of the original painted decoration that is a cross botonny inside a band of four grooves now showing as relief within the weathered timber surface: south transept panel C/6 lower left C/7 lower right
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771 Kb
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Narrow band of 1740s frieze decoration on a replacement ceiling board which has not been overpainted visible in a gap between overlapping boards
Narrow band of 1740s frieze decoration on a replacement ceiling board which has not been overpainted visible in a gap between overlapping boards
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Narrow band of 1740s frieze decoration on a replacement ceiling board which has not been overpainted visible in a gap between overlapping boards |
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Narrow band of 1740s frieze decoration on a replacement ceiling board which has not been overpainted visible in a gap between overlapping boards
Narrow band of 1740s frieze decoration on a replacement ceiling board which has not been overpainted visible in a gap between overlapping boards
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1.28 Mb
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Nearly all nail heads and Ceiling bolts covered by the 1740s brown/black paint without an intervening white lead ground were corroded to the extent that little or none of the covering paint survives. Applying the Paraloid B72TM adhesive solution to a nail head
Nearly all nail heads and Ceiling bolts covered by the 1740s brown/black paint without an intervening white lead ground were corroded to the extent that little or none of the covering paint survives. Applying the Paraloid B72TM adhesive solution to a nail head
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Nearly all nail heads and Ceiling bolts covered by the 1740s brown/black paint without an intervening white lead ground were corroded to the extent that little or none of the covering paint survives. Applying the Paraloid B72TM adhesive solution to a nail head |
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Nearly all nail heads and Ceiling bolts covered by the 1740s brown/black paint without an intervening white lead ground were corroded to the extent that little or none of the covering paint survives. Applying the Paraloid B72TM adhesive solution to a nail head
Nearly all nail heads and Ceiling bolts covered by the 1740s brown/black paint without an intervening white lead ground were corroded to the extent that little or none of the covering paint survives. Applying the Paraloid B72TM adhesive solution to a nail head
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225 Kb
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Original paint from under a missing nail head on the Grammer lozenge background sample 7/2001 (wrongly labelled 7/1999)
Original paint from under a missing nail head on the Grammer lozenge background sample 7/2001 (wrongly labelled 7/1999)
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Original paint from under a missing nail head on the Grammer lozenge background sample 7/2001 (wrongly labelled 7/1999) |
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Original paint from under a missing nail head on the Grammer lozenge background sample 7/2001 (wrongly labelled 7/1999)
Original paint from under a missing nail head on the Grammer lozenge background sample 7/2001 (wrongly labelled 7/1999)
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224 Kb
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Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - location
Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - location
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Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - location |
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Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - location
Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - location
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143 Kb
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Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - micrograph
Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - micrograph
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Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - micrograph |
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Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - micrograph
Paint from the three major schemes visible in sample 14/1999: 1830s red lead and ferric oxide particles; 1740s charcoal black over lead white over a yellowish lead layer; original (13th century) thin charcoal black over a haematite-rich red ochre layer - micrograph
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1.18 Mb
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Paint re-attachment tests during the Emergency Treatment phase: applying pressure to the flake
Paint re-attachment tests during the Emergency Treatment phase: applying pressure to the flake
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Paint re-attachment tests during the Emergency Treatment phase: applying pressure to the flake |
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Paint re-attachment tests during the Emergency Treatment phase: applying pressure to the flake
Paint re-attachment tests during the Emergency Treatment phase: applying pressure to the flake
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208 Kb
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Paint re-attachment tests during the Emergency Treatment phase: injecting the adhesive
Paint re-attachment tests during the Emergency Treatment phase: injecting the adhesive
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Paint re-attachment tests during the Emergency Treatment phase: injecting the adhesive |
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Paint re-attachment tests during the Emergency Treatment phase: injecting the adhesive
Paint re-attachment tests during the Emergency Treatment phase: injecting the adhesive
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184 Kb
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Paint re-attachment tests during the Emergency Treatment phase: paint relaxation using the Preservation Pencil
Paint re-attachment tests during the Emergency Treatment phase: paint relaxation using the Preservation Pencil
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Paint re-attachment tests during the Emergency Treatment phase: paint relaxation using the Preservation Pencil |
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Paint re-attachment tests during the Emergency Treatment phase: paint relaxation using the Preservation Pencil
Paint re-attachment tests during the Emergency Treatment phase: paint relaxation using the Preservation Pencil
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197 Kb
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Paint sample 1/2000 from shallow relief foliate design on an original ashlar board location
Paint sample 1/2000 from shallow relief foliate design on an original ashlar board location
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Paint sample 1/2000 from shallow relief foliate design on an original ashlar board location |
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Paint sample 1/2000 from shallow relief foliate design on an original ashlar board location
Paint sample 1/2000 from shallow relief foliate design on an original ashlar board location
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85 Kb
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Paint sample 1/2000 from shallow relief foliate design on an original ashlar board micrograph
Paint sample 1/2000 from shallow relief foliate design on an original ashlar board micrograph
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Paint sample 1/2000 from shallow relief foliate design on an original ashlar board micrograph |
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Paint sample 1/2000 from shallow relief foliate design on an original ashlar board micrograph
Paint sample 1/2000 from shallow relief foliate design on an original ashlar board micrograph
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141 Kb
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Red-brown paint on the base of the organistrum sample 4/2001 (wrongly labelled 4/1999) in section
Red-brown paint on the base of the organistrum sample 4/2001 (wrongly labelled 4/1999) in section
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Red-brown paint on the base of the organistrum sample 4/2001 (wrongly labelled 4/1999) in section |
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Red-brown paint on the base of the organistrum sample 4/2001 (wrongly labelled 4/1999) in section
Red-brown paint on the base of the organistrum sample 4/2001 (wrongly labelled 4/1999) in section
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251 Kb
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Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - location
Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - location
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Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - location |
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Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - location
Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - location
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141 Kb
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Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - micrograph
Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - micrograph
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Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - micrograph |
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Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - micrograph
Sample 16/1999 taken from a trefoil ended stalk in shallow relief shows a thin yellowish layer over a white lead ground over a shiny charcoal black layer - micrograph
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630 Kb
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St Peter's head: cross sections of paint samples 20/1997
St Peter's head: cross sections of paint samples 20/1997
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St Peter's head: cross sections of paint samples 20/1997 |
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St Peter's head: cross sections of paint samples 20/1997
St Peter's head: cross sections of paint samples 20/1997
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1.32 Mb
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St Peter's head: cross sections of paint samples 21/1997
St Peter's head: cross sections of paint samples 21/1997
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St Peter's head: cross sections of paint samples 21/1997 |
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St Peter's head: cross sections of paint samples 21/1997
St Peter's head: cross sections of paint samples 21/1997
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1.19 Mb
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