Copplestone, T. and Dunne, D. (2017). Digital Media, Creativity, Narrative Structure and Heritage. Internet Archaeology 44: Digital Creativity in Archaeology. Vol 44, https://doi.org/10.11141/ia.44.2.
Title The title of the publication or report |
Digital Media, Creativity, Narrative Structure and Heritage | ||
---|---|---|---|
Issue The name of the volume or issue |
Internet Archaeology 44: Digital Creativity in Archaeology | ||
Series The series the publication or report is included in |
Internet Archaeology | ||
Volume Volume number and part |
44 | ||
Biblio Note This is a Bibliographic record only. |
The ADS have no files for download on this page but further information is available online, normally as an electronic version maintained by the Publisher, or held in a larger collection such as an ADS Archive. Please refer to the DOI or URI listed in the Relations section of this record to locate the information you require. In the case of non-ADS resources, please be aware that we cannot advise further on availability. | ||
Licence Type ADS, CC-BY 4.0 or CC-BY 4.0 NC. |
Creative Commons Attribution 3.0
International Licence |
||
Publication Type The type of publication - report, monograph, journal article or chapter from a book |
Journal | ||
Abstract The abstract describing the content of the publication or report |
Media forms, digital creativity and narrative structure have a reflexive relationship to the narratives they portray. Digital media combined with creativity facilitate a wide range of narrative structures, many of which are digitally specific, beyond the norm of traditional displays. However, many of the heritage outcomes we observe through digital media employ narrative structures that do not make use of the specifically digital affordances.This article seeks to explore what narrative structure is, how digital media afford certain structures and the impact that digital media and narrative structure have on how we can engage with the past. To this end it will leverage two key case-study sectors; two digital exhibits located at Moesgård Museum, and two digital exhibitions created by the authors of this article in partnership with external practitioners.These case studies, in conjunction with wider discussion, will be used to explore how and why narrative structure is currently employed within digitally mediated heritage outcomes and what other forms of engagement might be afforded by further digitally mediated narrative structures. It is hoped that, through this research, a foundation for understanding the interrelation between the heritage sector, digital creativity,interactive technology and narrative studies can be established. | ||
Year of Publication The year the book, article or report was published |
2017 | ||
Locations Any locations covered by the publication or report. This is not the place the book or report was published. |
|
||
Source Where the record has come from or which dataset it was orginally included in. |
ADS Library
(ADS Library)
|
||
Relations Other resources which are relevant to this publication or report |
|
||
Created Date The date the record of the pubication was first entered |
29 Mar 2019 |