Pears, R. (2020). Image, Identity and Illusion: the Ridley Monuments in St. Nicholas Cathedral, Newcastle upon Tyne. Archaeologia Aeliana, 5th series, vol. 49. Vol 49.5, Newcastle upon Tyne : Society of Antiquaries of Newcastle upon Tyne. pp. 241-259. https://doi.org/10.5284/1090431. Cite this via datacite

Title
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Title:
Image, Identity and Illusion: the Ridley Monuments in St. Nicholas Cathedral, Newcastle upon Tyne
Issue
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Issue:
Archaeologia Aeliana, 5th series, vol. 49
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Series:
Archaeologia Aeliana
Volume
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Volume:
49.5
Page Start/End
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Page Start/End:
241 - 259
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archael549-241-259-pears.pdf (21 MB) :
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ADS, CC-BY 4.0 or CC-BY 4.0 NC.
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Creative Commons Attribution 4.0 International Licence icon
Creative Commons Attribution 4.0
International Licence
DOI
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DOI
https://doi.org/10.5284/1090431
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Journal
Abstract
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Abstract:
From medieval to modern times St Nicholas’s Church (Cathedral since 1882) was the venue for religious and civic ceremonies, and until the nineteenth century it was a burial place for parishioners, particularly the wealthiest inhabitants. There are a significant number of eighteenth and nineteenth-century memorials and three of these, to members of the Ridley family, are discussed in this article to investigate the local, national and international identities of Newcastle’s wealthiest inhabitants in the eighteenth and nineteenth centuries.
Author
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Author:
Richard Pears
Publisher
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Society of Antiquaries of Newcastle upon Tyne
Year of Publication
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Year of Publication:
2020
Locations
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Subjects / Periods:
Newcastle
18th-19th century
St Nicholas Cathedral
monuments
Ridley family
significance discussed
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ADS Archive (ADS Archive)
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Created Date
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Created Date:
10 Feb 2022