Morgan-Guy, J. (2019). Receiving scorn and mocking': the iconography of the Christ aux outrages in Wales and the Western European. ARCHAEOLOGIA CAMBRENSIS Cylchgrawn Cymdeithas Hynafiaethau Cyrmu The Journal of the Cambrian Archaeological Association. VOL. 168 (2019). Vol 168, Cambrian Archaeological Association. pp. 229-243.

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Receiving scorn and mocking': the iconography of the Christ aux outrages in Wales and the Western European
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ARCHAEOLOGIA CAMBRENSIS Cylchgrawn Cymdeithas Hynafiaethau Cyrmu The Journal of the Cambrian Archaeological Association. VOL. 168 (2019)
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Archaeologia Cambrensis
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168
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229 - 243
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09-Arch_Camb_168_Morgan-Guy_229-243.pdf (7 MB) : Download
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Through an examination of aspects of the late medieval iconography of the Passion of Jesus Christ that is to be found in both the Passion Plays and the work of visual artists working in stained glass, wood, stone and mural painting, both in Wales and England, and elsewhere in western Europe, particularly in Brittany, this essay seeks to demonstrate the close relationship which existed between the various art forms, and how all drew out the message of Salvation that was both explicit and implicit in the Christian gospel narratives, and the literature which derived from them. It illustrates that in the iconography of the Passion, the surviving examples from Wales demonstrate that the devotional and liturgical life of Christians here was fully in accord with that to be found elsewhere in Catholic western Europe in the later Middle Ages.
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John Morgan-Guy
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Cambrian Archaeological Association
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2019
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18 Nov 2022