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Anglo-Saxon Engl 21
Title
The title of the publication or report
Title:
Anglo-Saxon Engl 21
Series
The series the publication or report is included in
Series:
Anglo-Saxon England
Volume
Volume number and part
Volume:
21
Publication Type
The type of publication - report, monograph, journal article or chapter from a book
Publication Type:
Journal
Year of Publication
The year the book, article or report was published
Year of Publication:
1992
Source
Where the record has come from or which dataset it was orginally included in.
Source:
BIAB (The British Archaeological Bibliography (BAB))
Created Date
The date the record of the pubication was first entered
Created Date:
20 Jan 2002
Please click on an Article link to go to the Article Details.
Article Title
Access Type
Author / Editor
Page
Start/End
Abstract
A second supplement to Hand-List of Anglo-Saxon Non-Runic inscriptions
Elisabeth Okasha
37 - 85
Update to the list (Cambridge, 1971), giving entry number, description, and photographic illustrations. There is a `Bibliography' (61-71), `Addenda to the Hand-List and to the first supplement' (71-6), `Corrigenda to the Hand-List and to the supplement' (76-9), and `Addenda to the bibliographies of the entries in the Hand-List and in the supplement' (79-85).
The architectural interest of the Regularis Concordia
Mark Spurrell
161 - 176
Reconsiders the architectural influence of the circa tenth-century Regularis Concordia, issued by synod at the height of the English Benedictine reform movement. The article covers domestic buildings, churches, Ælfric's Epistula issued thirty years later but derived from the earlier document, and finally offers some conjectural ideas on how religious practice and expectation may have affected architecture.
King Edgar's reliquary of St Swithun
John Crook
177 - 202
A fresh look at the medieval wall-painting discovered in Morley Library (Winchester Cathedral) in 1909 interprets it as a representation of the Cathedral in its earliest Romanesque form as well as depicting the reliquary, presented by King Edgar to the Cathedral in 971-4. The architectural context of the wall-painting and a detailed description of the subject matter are given.