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Church Monuments 21
Title
The title of the publication or report
Title:
Church Monuments 21
Series
The series the publication or report is included in
Series:
Church Monuments
Volume
Volume number and part
Volume:
21
Publication Type
The type of publication - report, monograph, journal article or chapter from a book
Publication Type:
Journal
Author
The authors of this publication or report
Author:
Jennifer S Alexander
Editor
The editor of the publication or report
Editor:
Sophie Oosterwijk
Publisher
The publisher of the publication or report
Publisher:
Church Monuments Society
Year of Publication
The year the book, article or report was published
Year of Publication:
2007
Note
Extra information on the publication or report.
Note:
Date Of Issue From: 2006
Source
Where the record has come from or which dataset it was orginally included in.
Source:
BIAB (The British & Irish Archaeological Bibliography (BIAB))
Created Date
The date the record of the pubication was first entered
Created Date:
17 May 2007
Please click on an Article link to go to the Article Details.
Article Title
Access Type
Author / Editor
Page
Start/End
Abstract
`Beautiful remains of antiquity': the medieval monuments in the former Trinitarian p...
Sally F Badham
7 - 33
Article on an important series of seven brasses to the Stapleton family, once housed at the former Trinitarian priory church at Ingham but sold for the value of the metal c. 1800; their former appearance can be reconstructed from rubbings made in the eighteenth century and other antiquarian sources.
Sir Oliver de Ingham (d. 1344) and the foundation of the Trinitarian priory at Ingham, Norfolk
John Richards
34 - 57
The mural which was once visible in the recess of the tomb of Sir Oliver de Ingham (d. 1344) at Ingham, and which was published by C A Stothard in 1817, is examined in the light of the refoundation of the church in which it is sited as a Trinitarian priory in 1360. It is argued that this foundation may itself have been conceived as a memorial to Sir Oliver.
New paradigms for the aristocratic funerary monument around 1300: reconstructing the tomb of John, second Baron Hast...
Phillip G Lindley
58 - 93
The paper publishes hitherto unknown antiquarian evidence for the tomb monument of John, second Baron Hastings (1287--1325) in Abergavenny Priory church (Monmouthshire). Sketches made in 1801 by the antiquarian draughtsman John Carter make possible a new reconstruction of the monument's original form and a reconsideration of its location within the church. In addition, an appendix contributes to understanding of the way the fourteenth-century timber effigy was produced, and how its surfaces were originally decorated with polychromy. Includes
Appendix. The effigy of John, second Baron Hastings: a technical examination
Carol Galvin
86 - 93
The Gylbert monument in Youlgreave church: memorial or liturgical furnishing?
Jennifer S Alexander
B W Hodgkinson
Sue A Hadcock
94 - 111
The article discusses the Gylbert monument, an unusual memorial that also served a second purpose as the retable to the Lady Chapel in Youlgreave Church, Derbyshire. The extent to which this compromises the design of the monument, in particular its inscription, demonstrates that this was an unusual composition. The layout of the monument, with the donors sharing the picture space with a sacred image, invites comparison with imagery on tomb chests. The original form, function and siting of the monument are discussed and its role in the church assessed.
The monument to Sir Robert Dormer (d. 1552) at Wing, Buckinghamshire: a new hypothesis
Lawrence A S Butler
130 - 140
The paper argues that the tomb of Sir Robert Dormer (d. 1552) in the north aisle of Wing church is not of a single period, but that it developed in three stages over thirty years. The first stage was a free-standing chesst tomb located slightly further east with two inscription plates on its lid. The second stage, here dated to after 1571, was the elaborate tomb with a canopy supported on Corinthian columns and with family shields on the rear (north) wall, visible in the present day. The third stage, conceived in 1590, abandoned the idea of a joint family commemoration when an ornate monument with effigies to Sir William Dormer (d. 1575) and his second wife Dorothy was erected in the chancel. The intended inscriptions on the rear wall panel and on the upper frieze were never painted. Includes
Appendix 1: inscriptions on the two brass plates
138
Appendix 2: details of the rivets and plug-holes
138 - 139
Roubiliac, the earl of Pembroke, and the chancellor's discretion: preservation of the nation's heritage by the consi...
David Wilson
141 - 184
The paper considers the Church of England's approach to the controversial subject of removing monuments or parts of monuments from churches. Its starting point is the controversy over Roubiliac's bust of the ninth earl of Pembroke (cl 1750), which was sold from a church in Wiltshire in 1997 and reappeared at auction in 2005. The paper also examines the wider context of the removal of important works of art from their specifically designed settings, often in listed buildings, and demonstrates how the consistory courts have developed a more robust attitude to the matter than have the secular authorities.