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Advances in the study of Pleistocene imagery and symbol use.
Title
The title of the publication or report
Title:
Advances in the study of Pleistocene imagery and symbol use.
Subtitle
The sub title of the publication or report
Subtitle:
Part I
Series
The series the publication or report is included in
Series:
Journal of Archaeological Method and Theory
Volume
Volume number and part
Volume:
13 (4)
Publication Type
The type of publication - report, monograph, journal article or chapter from a book
Publication Type:
Journal
Editor
The editor of the publication or report
Editor:
Catherine M Cameron
James M Skibo
Issue Editor
The editor of the volume or issue
Issue Editor:
April Nowell
Publisher
The publisher of the publication or report
Publisher:
Kluwer Academic/Plenum Publishers
Year of Publication
The year the book, article or report was published
Year of Publication:
2006
Note
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Note:
Is Portmanteau: 1
Source
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Source:
BIAB (The British & Irish Archaeological Bibliography (BIAB))
Relations
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Relations:
URI:
http://springerlink.metapress.com/content/1573-7764/
Created Date
The date the record of the pubication was first entered
Created Date:
08 May 2007
Please click on an Article link to go to the Article Details.
Article Title
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Page
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Abstract
Advances in the study of Pleistocene imagery and symbol use.; Part I
0
Part 1 of two-part special issue, including
From a Paleolithic art to Pleistocene visual cultures; (introduction to two special issues on `Advances i...
April Nowell
239 - 249
in order to contextualize the contributions that comprise the two issues, the paper defines the temporal and geographic scope of Pleistocene imagery, outlines the contexts in which the images are found, briefly reviews the history of interpretation of the images and discusses some of the current trends and future directions of the field
Rock art conservation and tourism
Janette Deacon
379 - 399
the author argues that, whilst policies and guidelines have been developed for cultural heritage and cultural tourism and there is a widely accepted range of principles in place, a theory of sustainable rock art tourism is only in its infancy and that, to mature, the discipline needs research into the interaction of key elements that affect the long-term conservation of frequently visited rock paintings and engravings in their original setting, as well as consideration of social and economic factors that drive tourism and the public interest in rock art