skip to navigation
ADS Main Website
Help
|
Login
/
Browse by Series
/
Series
/ Journal Issue
Special issue
Title
The title of the publication or report
Title:
Special issue
Subtitle
The sub title of the publication or report
Subtitle:
Materializing identities
Series
The series the publication or report is included in
Series:
Journal of Material Culture
Volume
Volume number and part
Volume:
16 (4)
Number of Pages
The number of pages in the publication or report
Number of Pages:
109
Publication Type
The type of publication - report, monograph, journal article or chapter from a book
Publication Type:
Journal
Editor
The editor of the publication or report
Editor:
Christopher Tilley
Year of Publication
The year the book, article or report was published
Year of Publication:
2011
Source
Where the record has come from or which dataset it was orginally included in.
Source:
BIAB (biab_online)
Relations
Other resources which are relevant to this publication or report
Relations:
URI:
http://mcu.sagepub.com/content/16/4.toc
Created Date
The date the record of the pubication was first entered
Created Date:
17 Feb 2013
Please click on an Article link to go to the Article Details.
Article Title
Access Type
Author / Editor
Page
Start/End
Abstract
Music and the materialization of identities
Georgina Born
376 - 388
Argues that music is instructive in conceptualizing the materialization of identity because it opens up new perspectives on issues of materiality, mediation and affect. These perspectives are intimately related in turn to music's plural socialities, which necessitate a novel approach to theorizing the social. Music, it is proposed, demands an analytics that encompasses four planes of social mediation; while these socialities, with other forms of music's mediation, together produce a constellation of mediations '“ an assemblage.
Folding, stitching, turning; putting conservation into perspective
Titika Malkogeorgou
441 - 455
Follows the conservation of an 18th-century mantua (a 17th'“18th-century court dress) for display in the Victoria & Albert galleries and discusses the process of continuous conflict between the uncovering and reconstruction of truth that takes place in the conservation studio, and the relationship to the object's biography in tracing its original form. Also examines the preservation of cultural material as a way of materializing the self and contextualizing social activity.