Medieval Ceramics Volume 39: Journal of the Medieval Pottery Research Group

In 1970 medieval pottery production waste and an abundance of post-medieval pottery were recovered from pits during a salvage excavation on Redcliff Hill, Bristol, opposite the church of St Mary Redcliff. The distinctive wheel-thrown pottery type, a successor to Ham Green ware, was thus named Redcliff ware, after the site where it was found. It has also been referred to as Bristol ware. This paper briefly characterises the ware in terms of both fabric and form.

Post-medieval pottery made in Somerset is distinct from wares produced elsewhere in the south-west of England. Recent experimental work and scientific analysis, combined with study of finds from fieldwork, has led to a more complete understanding of the nature of pottery production in Somerset, how it is possible to use mineralogical and stylistic evidence to distinguish between the three major areas of earthenware production and how production changes over time.

This paper presents the discovery and excavation of a 16th-century pottery production site at the Exeter Inn, Litchdon Street, Barnstaple, and the analysis of this material, which represents a major step forward in our understanding of the products and working practices of the north Devon potteries, prior to their development as a major industry in the 17th century. The artefact assemblage consists of over 50,000 sherds of pottery as well as a considerable volume of ridge and floor tile, recovered from a complex series of very large intercutting pits, broadly divisible into earlier 16th-century and later 16th-century features. Analysis of the material has identified changing trends in the scale of production, the types of pottery produced, the clay used, and the level of clay processing undertaken. No kilns were located during the work, but analysis of fragments of kiln structure and slate separators has highlighted the potential of this material for exploring how pottery was fired and stacked. The assemblage included a small number of inlaid floor tiles very similar to examples in several west Somerset churches, re-dating those tiles to the late 15th or early 16th century. Lastly, the small number of stamped or scored sherds points to apotropaic practices with distinct religious overtones.

Publication review

Regional Groups Report 2017

Preliminaries (i.e. coverpage, contents) of Medieval Ceramics 2018