Internet Archaeology and the Archaeology Data Service are working together on a project concerning the current and ongoing impact of our activities on publication policy and practice (which we are calling PUBLICAN for short). We’re especially interested in the impact digital archiving and publication has had on the commercial sector.
Can you help us to compile a national picture of how digital has changed and affected professional practice?
Internet Archaeology is delighted to announce that we have been awarded the Directory of Open Access Journals (DOAJ) Seal.
The DOAJ is an online directory that indexes and provides access to high quality, open access, peer-reviewed journals.
The DOAJ Seal is awarded to a journal that fulfills a set of criteria related to accessibility, openness, discoverability, reuse and author rights. It acts as a signal to readers and authors that the journal has generous use and reuse terms, author rights and adheres to the highest level of ‘openness’
has an archival and preservation arrangement in place with the Archaeology Data Service
provides permanent DOI identifiers in the published content
provides article level metadata to DOAJ
embeds machine-readable CC licensing information in article level metadata
allows reuse and remixing of content in accordance with a CC BY license
has a deposit policy registered in SHERPA/RoMEO
allows authors to hold copyright without restriction.
Internet Archaeology is currently the only open access archaeology journal to be awarded the Seal, sitting alongside 88 other journals from right across the academic spectrum. It is wonderful to have been recognised for our work in this area by the DOAJ.
Polynomial Texture Mapping (PTM) is a fairly new technique employed by archaeologists and it has furthered research at a well-known Brazilian rock art site, Avencal 1, revealing details not previously detected. An article outlining the work has just been published in Internet Archaeology and it contains an interactive viewer which enables readers to explore the rock art panels for themselves, including altering lighting conditions.
The viewer was developed by colleagues at the Visual Computing Lab at Pisa who are also developing the 3DHOP application for use by the ADS. This is the first time the viewer has been used in a peer-reviewed journal, and demonstrates once again the capabilities of publishing in Internet Archaeology over many other journals.
Phil Riris (Southampton, UK) and Rafael Corteletti (Universidade Federal do Paraná, Brazil) applied the technique to a series of ‘blank’ panels and revealed undocumented geometric designs as well as being able to identify differences in how the engravings were produced as well as potential sequencing.
From this month Internet Archaeology’s 130 institutional subscribers from the UK, USA, Australia and Europe will no longer have to pay the £160 a year subscription and the £7 charge for individual articles is also being scrapped, making Internet Archaeology one of the first journals to transition from a subscription model to full open access. Several things have spurred this decision. Continue reading Internet Archaeology Goes Fully Open Access→