Curtis Webb, M. (2012). A new interpretation of the Sculpted Tympanum of All Saints, Pitsford. Northamptonshire Archaeology 37. Vol 37, pp. 135-143. https://doi.org/10.5284/1083419. Cite this via datacite
Title The title of the publication or report |
A new interpretation of the Sculpted Tympanum of All Saints, Pitsford | |||
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Issue The name of the volume or issue |
Northamptonshire Archaeology 37 | |||
Series The series the publication or report is included in |
Northamptonshire Archaeology | |||
Volume Volume number and part |
37 | |||
Page Start/End The start and end page numbers. |
135 - 143 | |||
Downloads Any files associated with the publication or report that can be downloaded from the ADS |
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Licence Type ADS, CC-BY 4.0 or CC-BY 4.0 NC. |
Creative Commons Attribution 4.0
International Licence |
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DOI The DOI (digital object identifier) for the publication or report. |
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Publication Type The type of publication - report, monograph, journal article or chapter from a book |
Journal | |||
Abstract The abstract describing the content of the publication or report |
The carving on the tympanum of All Saints church, Pitsford is one of a group of rare 12th-century English sculptures depicting Christ’s Redemption of mankind. The scene is Christ’s Descent into Hades to destroy Death, here personified by Behemoth, the twin figure of Leviathan. The main literary source of these carvings is the Ransom Theory as expounded by Pope Gregory the Great in his lengthy commentary on the Book of Job, the Moralia in Job completed shortly before 597. At the end of the 12th century the Ransom Theory was abandoned in favour of Anselm’s exposition of the Doctrine of the Atonement. Consequently, carvings depicting the Ransom theory, such as the Pitsford tympanum, vanished for ever from the repertoire of ecclesiastical sculpture, and the scenes and characters depicted are now either a source of mystery or are reinterpreted to fit later doctrines. It is to be hoped that the unique historical importance of the whole surviving corpus of 12th-century English sculpture will become more widely recognised and that this heritage will be properly preserved for posterity. | |||
Year of Publication The year the book, article or report was published |
2012 | |||
Locations Any locations covered by the publication or report. This is not the place the book or report was published. |
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Locations Any locations covered by the publication or report. This is not the place the book or report was published. |
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Source Where the record has come from or which dataset it was orginally included in. |
ADS Archive
(ADS Archive)
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Relations Other resources which are relevant to this publication or report |
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Created Date The date the record of the pubication was first entered |
03 Nov 2020 |