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Archaeology and coastal change
Papers from two 1977 conferences demonstrate the interdisciplinary use of archaeology and the physical and biological sciences to examine sea level changes and the settlement and land-use of the resultant landscapes. After G W Dimbleby's introduction, C Everard (pp 1-23) reviews the present state of our knowledge of sea level changes. Regional studies by G C Boon (24-36), B Cunliffe (37-55), and B B Simmons (56-73) examine the effect of coastal change on settlement in, respectively, Caerleon and the Gwent Levels, Romney Marsh, and the Wash. M J Tooley (74-86) describes coastal changes in NW England from the Flandrian oscillations and the formation of the Irish Sea c 7500 BC and G D B Jones (87-102) examines the pattern of settlement in the Wirral and River Dee area. F A Hibbert (103-5) uses peat profiles from the Somerset Levels to detect sea level change. L P Louwe Kooijmans (106-33) outlines the effect of a series of marine transgressions (beginning c 3000 BC) on settlement in the Netherlands. R J Devoy (134-48) describes the effect on the environment and man of postglacial changes in the Thames area. The potential of several of these areas for future research is stressed. D G
1980
Timber and iron reinforcement in early buildings
R P Wilcox
('Early' here means 4th to 12th centuries AD.) Wooden foundation rafts (from Roman forts to minster apses at Winchester and York) and intra-mural ties, often jointed into floor-joists (Bridgnorth castle, Lewes priory) decayed so slowly that the masonry was not weakened. The considerable use of visible collars to resist either tension or compression across arches, domes and vaults in early churches is studied. Timber's flexibility (particularly in compression) and lack of corrosion products made it preferable to iron, except on aesthetic grounds. D F R
1982
Studies in medieval sculpture from the 1980 seminar
Contains: (Pre-Conquest) Rosemary Cramp (pp 1-2), introduction; Nancy Edwards (3-17), Some observations on the layout and construction of abstract ornament in Early Christian Irish sculpture; Dominic Tweddle (18-40), Anglo-Saxon sculpture in SE England before c 950, Jeffrey K West (41-53), A carved slab fragment from St Oswald's Priory, Gloucester. (Romanesque) Alan Borg (54-5), introduction; Jill A Franklin (56-70), The Romanesque cloister sculpture at Norwich Cathedral Priory; Deborah Kahn (71-89), Recent discoveries of Romanesque sculpture at St Albans; Jane Geddes (90-7), Recently discovered Romanesque sculpture in SE England. (Gothic) Neil Stratford (98-9), introduction; Christopher Wilson (100-21), The original setting of the apostle and prophet figures from St Mary's Abbey, York; Nicholas Dawton (122-50), The Percy tomb at Beverley Minster: the style of the sculpture; Veronica Sekules (151-64), A group of masons in early 14th century Lincolnshire: research in progress; Nicola Coldstream (165-76), 14th century corbel heads in the Bishop's House, Ely. Additional James Lang (177-89), Recent studies in the pre-Conquest sculpture of Northumbria; Eileen Roberts (190-7), Two 12th century voussoir stones from Sopwell House, St Albans; Richard K Morris (Warwick) (198-201), The Herefordshire school: recent discoveries; J Patrick Greene (202-7), Carved stonework from Norton Priory, Cheshire; Neil Stratford (208-16), Glastonbury and two Gothic ivories in the United States. Epilogue, G Zarnecki (217-20).
1983
Cross-Channel trade between Gaul and Britain in the pre-Roman Iron Age
Contains: Introduction and concluding remarks, P-R Giot (pp 1-2, 108); Barry Cunliffe (3-23), Relations between Britain and Gaul in the 1st century BC and early 1st century AD, Patrick Galliou (24-36), Days of wine and roses? Early Armorica and the Atlantic wine trade; D P S Peacock (37-42), Amphorae in Iron Age Britain: a reassessment [olive oil imports pre-Conquest?]; I M Stead (43-66), Some notes on imported metalwork in Iron Age Britain [some British-made? some more recent 'imports'?]; Loïc Langouët (67-77), Alet and cross-Channel trade; Alain Duval (78-91), Regional groups in western France; Daphne Nash (92-107), The basis of contact between Britain and Gaul in the late Pre-Roman Iron Age.
1984
The stained glass of the church of St Mary, Fairford, Gloucestershire c 1500-1517
Hilary G Wayment
1984
Archaeological field survey in Britain and abroad
British contributions are: Roger Mercer (pp 8-24), A view of British archaeological field survey [stresses urgent need for development of skills of analytical field survey; 'type' of monument as straitjacket; case studies on multiphase long cairns]; David Hall (25-44), Survey work in eastern England [techniques used in Cambs, Northants, Yorks; early prehistoric settlement in Northants as example]; Brian Simmons (45-50), Fieldwork techniques in the Lincolnshire Fens 1968-78 [eg how to choose fields to survey]; Nicholas Johnson (51-66), Archaeological field survey: a Cornish perspective [sites and monuments record, data storage and retrieval, research strategy; Bodmin Moor and W Penwith examples]; Vince Gaffney & Martin Tingle (67-73), The Maddle Farm (Berks) project and micro-regional analysis [RB villa complex at Upper Lambourn; stresses need to examine artefact discard patterns off-site, etc].
1985
Art and patronage in the English Romanesque
Twelve papers from two 1984 symposia. C Brooke (pp 1-6) introduces the collection, which comprises: G Zarnecki (7-27), 'Sculpture in stone in the English Romanesque Art exhibition' (picking up themes of Scandinavian influences, cushion capitals, beakheads, secular richness, etc); and also (159-72), 'Henry of Blois as a patron of sculpture' (eg his Tournai stone fonts, Wolvesey Palace, Lewes Priory, Purbeck stone); Neil Stratford (28-49), 'Niello in England in the 12th century' (few analyses available yet); T A Heslop (50-60), 'Seals as evidence for metalworking in England in the later 12th century' (goldsmiths; use of engraving, soldering, gem-setting; deduction about matrix from its seal alone); Michael Kauffman (61-70), 'English Romanesque book illumination: changes in the field 1974-1984' (surveying 'three majestic tomes' by Rodney Thomson, W Oakeshott and C de Hamel respectively); Margaret Gibson (71-6), 'Who designed the Eadwine Psalter?'; Thomas Cocke (77-86), 'The "Old Conventual Church" at Ely: a false trail in Romanesque studies?' (correction of the erroneous identification of the 12th century infirmary as the AS cathedral provided a boost for understanding of the Romanesque); Richard Gem (87-96), 'The Bishop's Chapel at Hereford: the roles of patron and craftsman'; Laurence Wright (97-106), 'The role of musicians at court in 12th-century Britain'; Brian Golding (107-17), 'Wealth and artistic patronage at 12th-century St Albans'; Xenia Muratova (118-44), 'Bestiaries: an aspect of medieval patronage'; and Ursula Nilgen (145-58), 'Intellectuality and splendour: Thomas Becket as a patron of the arts'.
1986
The painted chamber at Westminster 13th century
Paul Binski
1986
Soc Antiq London Occas Pap 1988
1988
Roman glass: two centuries of art and innovation
In the volume `Introduction' Kenneth </ze> Painter (vii-viii) explains that the book is a result of a conference held in 1987 in honour of Dr Donald B Harden, who has worked on glass for many years. A full bibliography of his publications from 1926-88 is presented in `The works of Dr Donald B Harden' compiled by Martine S </ze> Newby (xi-xxix).The papers concentrate on glass tablewares of the first century BC and the first century AD, as a subsequent seminar held in Cologne dealt with the second to sixth centuries AD (published in Kölner Jahrbuch für Vor- und Frühgeschichte, 22, 1989, 1-203). The first paper covers `Early Imperial Roman cast glass: the translucent coloured and colourless fine wares' by David F </ze> Grose (1-18) who describes the vessels which are characterised by angular, lathe-turned forms, novel use of colour and the highest standards of craftsmanship. The coloured class, which was probably made in Italy, is found in Italy and the northern Roman provinces, including Colchester in England. Under the Flavians there was a shift towards colourless tablewares which are found throughout the western and eastern Empires, including Fishbourne villa and St Albans in England.`Cameo glass' is discussed by David </ze> Whitehouse (19-32). The production of cameo glass was limited in the Roman period and this paper describes the characteristics of early Roman cameo glass and suggests how it was made. One of the best known examples of cameo glass is described in `The Portland Vase' (33-45). Kenneth Painter & David B Whitehouse consider the interpretation of the scenes on the vase and the questions of who may have made it and who it was made for.`The invention of blowing' is considered by Yael </ze> Israeli (46-55), who suggests that it took place around the middle of the first century BC, somewhere in the eastern littoral of the Mediterranean. He then goes on to present a possible reconstruction of how small glass bottles were formed by blowing glass tubes which suggests how the idea for glass-blowing was conceived. Jennifer </ze> Price contributes `Decorated mould-blown glass tablewares in the first century AD' (56-75) in which the chronology, manufacturing traditions and distribution of this type of vessel are detailed. `Syrian elements among the glass from Pompeii and Herculaneum' are described by Lucia A Scatozza </ze> Höricht (76-85), and Friederike </ze> Naumann-Steckner writes on `Depictions of glass in Roman wall paintings' (86-98).`First-century cantharoi with a stemmed foot: their distribution and social context', which include fragments found at Colchester, are reviewed by Sophia M E </ze> van Lith (99-110). In `Roman glass with decoration cut in high-relief' Axel </ze> von Saldern (111-21) emphasises that practically all glass up to Roman Imperial times imitates more expensive stone and metalware, but as many of these objects have now perished this is not often appreciated. The shapes, motifs of decoration, application techniques, distribution and date of `Early enamelled glass' are summarised by Beat </ze> Rütti (122-36). The production of enamelled bowls and amphorisks reached its height in the mid first century AD, but seems to have ceased by c AD 70.`The contribution of Masada to the history of early Roman glass' is described by Dan P </ze> Barag (137-40). In `Early exports beyond the Empire' (141-54) E Marianne </ze> Stern concentrates on glass from Arikamedu in India, making a distinction between imported objects and objects made on the spot. MH
1991